Poetry: Difference between revisions
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This page holds a collection of '''poems''' that appear in full or in part in Lessons in Love. | This page holds a collection of '''poems''' that appear in full or in part in Lessons in Love. | ||
Thanks go out to community members Bruised Reality, Silon, Kusanagi, Doc, Waterfire23, Esan, and Daedalus for finding these poems and making them accessible to us. | Thanks go out to community members Bruised Reality, Silon, Kusanagi, Doc, Waterfire23, Esan, Wacknaz, and Daedalus for finding these poems and making them accessible to us. | ||
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</div> | </div> | ||
If a poem is only featured in part, the bolded section denotes what appears in the game.<br><br> | If a poem is only featured in part, the bolded section denotes what appears in the game.<br><br> | ||
{{Poem|title= | |||
''' | == Charles Baudelaire == | ||
''' | {{Poem|title=La Fontaine de Sang (The Fountain of Blood)|author=Charles Baudelaire|appearance=[[Bad News Bears]]|text= | ||
''' | Il me semble parfois que mon sang coule à flots,<br> | ||
''' | Ainsi qu'une fontaine aux rythmiques sanglots.<br> | ||
''' | Je l'entends bien qui coule avec un long murmure,<br> | ||
''' | Mais je me tâte en vain pour trouver la blessure.<br> | ||
''' | <br> | ||
À travers la cité, comme dans un champ clos,<br> | |||
Il s'en va, transformant les pavés en îlots,<br> | |||
Désaltérant la soif de chaque créature,<br> | |||
Et partout colorant en rouge la nature.<br> | |||
<br> | |||
J'ai demandé souvent à des vins captieux<br> | |||
D'endormir pour un jour la terreur qui me mine;<br> | |||
Le vin rend l'oeil plus clair et l'oreille plus fine!<br> | |||
<br> | |||
J'ai cherché dans l'amour un sommeil oublieux;<br> | |||
Mais l'amour n'est pour moi qu'un matelas d'aiguilles<br> | |||
Fait pour donner à boire à ces cruelles filles!<br> | |||
|note=}} | |||
== Edgar Allan Poe == | |||
{{Poem|title=The Happiest Day, The Happiest Hour|author=Edgar Allan Poe|appearance=[[The Place She Falls Asleep At Night]]|text= | |||
'''The happiest day—the happiest hour'''<br> | |||
'''My seared and blighted heart hath known,'''<br> | |||
'''The highest hope of pride and power,'''<br> | |||
'''I feel hath flown.'''<br> | |||
<br> | |||
Of power! said I? Yes! such I ween<br> | |||
But they have vanished long, alas!<br> | |||
The visions of my youth have been—<br> | |||
But let them pass.<br> | |||
<br> | |||
And pride, what have I now with thee?<br> | |||
Another brow may ev’n inherit<br> | |||
The venom thou hast poured on me—<br> | |||
Be still my spirit!<br> | |||
<br> | |||
The happiest day—the happiest hour<br> | |||
Mine eyes shall see—have ever seen<br> | |||
The brightest glance of pride and power<br> | |||
I feel have been:<br> | |||
<br> | |||
But were that hope of pride and power<br> | |||
Now offered with the pain<br> | |||
Ev’n then I felt—that brightest hour<br> | |||
I would not live again:<br> | |||
<br> | |||
'''For on its wing was dark alloy'''<br> | |||
'''And as it fluttered—fell'''<br> | |||
'''An essence—powerful to destroy'''<br> | |||
'''A soul that knew it well.'''<br> | |||
|note=}} | |||
{{Poem|title=To the River|author=Edgar Allan Poe|appearance=[[To the River]]|text= | |||
Fair river! in thy bright, clear flow<br> | |||
Of crystal, wandering water,<br> | |||
Thou art an emblem of the glow<br> | |||
Of beauty—the unhidden heart—<br> | |||
The playful maziness of art<br> | |||
In old Alberto’s daughter;<br> | |||
<br> | |||
'''But when within thy wave she looks—'''<br> | |||
'''Which glistens then, and trembles—'''<br> | |||
'''Why, then, the prettiest of brooks'''<br> | |||
'''Her worshipper resembles;'''<br> | |||
'''For in my heart, as in thy stream,'''<br> | |||
'''Her image deeply lies—'''<br> | |||
'''His heart which trembles at the beam'''<br> | |||
'''Of her soul-searching eyes.'''<br> | |||
|note=}} | |note=}} | ||
{{Poem|title= | == Emily Dickinson == | ||
{{Poem|title=A solemn thing — it was — I said|author=Emily Dickinson|appearance=[[Eternity Until]]|text= | |||
'''A solemn thing — it was — I said —'''<br> | |||
'''A woman — white — to be —'''<br> | |||
'''And wear — if God should count me fit —'''<br> | |||
'''Her blameless mystery —'''<br> | |||
<br> | |||
'''A hallowed thing — to drop a life'''<br> | |||
'''Into the purple well —'''<br> | |||
'''Too plummetless — that it return —'''<br> | |||
'''Eternity — until —'''<br> | |||
<br> | <br> | ||
I pondered how the bliss would look —<br> | |||
And would it feel as big —<br> | |||
When I could take it in my hand —<br> | |||
As hovering — seen — through fog —<br> | |||
<br> | <br> | ||
And then — the size of this “small” life —<br> | |||
The Sages — call it small —<br> | |||
Swelled — like Horizons — in my vest —<br> | |||
And I sneered — softly — “small”!<br> | |||
|note=}} | |||
the | |||
{{Poem|title=Softened by Time's consummate plush|author=Emily Dickinson|appearance=[[Still Young]]|text= | |||
Softened by Time’s consummate plush,<br> | |||
How sleek the woe appears<br> | |||
That threatened childhood’s citadel<br> | |||
And undermined the years.<br> | |||
<br> | <br> | ||
Bisected now, by bleaker griefs,<br> | |||
We envy the despair<br> | |||
That devastated childhood’s realm,<br> | |||
So easy to repair.<br> | |||
|note=}} | |note=}} | ||
{{Poem|title=A Door just opened on a street|author=Emily Dickinson|appearance=[[Soliloquy (Wearing Someone Else's Clothes)]]|text= | |||
A Door just opened on a street -<br> | |||
I - lost - was passing by -<br> | |||
An instant's Width of Warmth disclosed -<br> | |||
And Wealth - and Company.<br> | |||
<br> | |||
The Door as sudden shut - And I -<br> | |||
I - lost - was passing by -<br> | |||
Lost doubly - but by contrast - most -<br> | |||
Informing - Misery.<br> | |||
|note=}} | |||
== John Keats == | |||
{{Poem|title=Ode to a Nightingale|author=John Keats|appearance=[[Ode to a Marsh Warbler]]|text= | {{Poem|title=Ode to a Nightingale|author=John Keats|appearance=[[Ode to a Marsh Warbler]]|text= | ||
'''My heart aches, and a drowsy numbness pains'''<br> | '''My heart aches, and a drowsy numbness pains'''<br> | ||
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Was it a vision, or a waking dream?<br> | Was it a vision, or a waking dream?<br> | ||
Fled is that music:—Do I wake or sleep?<br> | Fled is that music:—Do I wake or sleep?<br> | ||
|note=}} | |note=}} | ||
== John Masefield == | |||
{{Poem|title=Exerpts from The Everlasting Mercy|author=John Masefield|appearance=[[As The Sun Disappears]]|text= | {{Poem|title=Exerpts from The Everlasting Mercy|author=John Masefield|appearance=[[As The Sun Disappears]]|text= | ||
I lived in disbelief of Heaven.<br> | I lived in disbelief of Heaven.<br> | ||
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|note=The Everlasting Mercy is a very long poem, so we have only included the excerpts which appear in Lessons in Love. The full text can be found [https://www.gutenberg.org/cache/epub/41467/pg41467-images.html here]}} | |note=The Everlasting Mercy is a very long poem, so we have only included the excerpts which appear in Lessons in Love. The full text can be found [https://www.gutenberg.org/cache/epub/41467/pg41467-images.html here]}} | ||
== Li-Young Lee == | |||
{{Poem|title=From Blossoms|author=Li-Young Lee|appearance=[[Impossible Blossoms]]|text= | |||
From blossoms comes<br> | |||
this brown paper bag of peaches<br> | |||
we bought from the boy<br> | |||
at the bend in the road where we turned toward<br> | |||
signs painted ''Peaches''.<br> | |||
{{Poem|title= | |||
<br> | <br> | ||
From laden boughs, from hands,<br> | |||
from sweet fellowship in the bins,<br> | |||
comes nectar at the roadside, succulent<br> | |||
peaches we devour, dusty skin and all,<br> | |||
comes the familiar dust of summer, dust we eat.<br> | |||
<br> | <br> | ||
O, to take what we love inside,<br> | |||
to carry within us an orchard, to eat<br> | |||
not only the skin, but the shade,<br> | |||
not only the sugar, but the days, to hold<br> | |||
the fruit in our hands, adore it, then bite into<br> | |||
the round jubilance of peach.<br> | |||
<br> | <br> | ||
'''There are days we live<br>''' | |||
'''as if death were nowhere<br>''' | |||
'''in the background; from joy<br>''' | |||
'''to joy to joy, from wing to wing,<br>''' | |||
'''from blossom to blossom to<br>''' | |||
'''impossible blossom, to sweet impossible blossom.'''<br> | |||
There | |||
' | |||
''' | |||
''' | |||
''' | |||
|note=}} | |note=}} | ||
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{{Poem|title= | {{Poem|title=My Indigo|author=Li-Young Lee|appearance=[[My Indigo (The Blue Death)]]|text= | ||
'' | It's late. I've come<br> | ||
to find the flower which blossoms<br> | |||
like a saint dying upside down<br> | |||
<br> | |||
The rose won't do, nor the iris.<br> | |||
I've come to find the moody one, the shy one,<br> | |||
downcast, grave, and isolated.<br> | |||
<br> | |||
Now, blackness gathers in the grass,<br> | |||
and I am on my hands and knees.<br> | |||
What is its name?<br> | |||
<br> | |||
Little sister, my indigo,<br> | |||
my secret, vaginal and sweet, you unfurl yourself shamelessly<br> | |||
toward the ground.<br> | |||
<br> | <br> | ||
You burn. You live<br> | |||
a while in two worlds at once.<br> | |||
The | |note=}} | ||
== Mark Van Doren == | |||
{{Poem|title=Possession|author=Mark Van Doren|appearance=[[It Comes To Claim Us All]]|text= | |||
Because this ground is mine it presses firmer<br> | |||
And softer up against my morning feet.<br> | |||
The grass ever is whispering as I walk.<br> | |||
The trees lean a little, and the spring,<br> | |||
There at the head of the road, leaps out to meet me.<br> | |||
<br> | <br> | ||
Some afternoons I think these hundred acres,<br> | |||
Knowing I lie on the mountainside in the sun,<br> | |||
Curl over as if to fold me in; then, rising,<br> | |||
I smile and go, and they are level again.<br> | |||
<br> | <br> | ||
But all of this is nothing to the night<br> | |||
I climbed that path and came into my own.<br> | |||
The | The darkness—my own darkness—was a warm<br> | ||
I | Still wind upon my face, until I reached<br> | ||
The topmost meadow, open to the sky.<br> | |||
<br> | <br> | ||
One step, and I stood naked among stars—<br> | |||
White stars, that clustered closer and larger down;<br> | |||
Closer, until they entered my two eyes. . . .<br> | |||
I | When, deep inside, they burst without a sound.<br> | ||
|note=}} | |||
== Mary Frye == | |||
{{Poem|title=Do Not Stand at My Grave and Weep|author=Mary Frye|appearance=[[Nice Weather We're Having]]|text= | |||
Do not stand at my grave and weep;<br> | |||
I am not there, I do not sleep.<br> | |||
'''I am a thousand winds that blow.'''<br> | |||
'''I am the softly falling snow.'''<br> | |||
'''I am the gentle showers of rain.'''<br> | |||
'''I am the fields of ripening grain.'''<br> | |||
I am the morning hush.<br> | |||
I am the graceful rush<br> | |||
of beautiful birds in circling flight.<br> | |||
I am the star shine of the night.<br> | |||
I am the flowers that bloom.<br> | |||
I am in a quiet room.<br> | |||
I am the birds that sing.<br> | |||
I am in each lovely thing.<br> | |||
Do not stand at my grave and cry;<br> | |||
I am not there. I did not die.<br> | |||
|note=}} | |||
== Selebus == | |||
The following titles are conjectural ones assigned by the community, not the official names given by Selebus. | |||
{{Poem|title=A lie, alive, alone I|author=Selebus|appearance=[[Halfway Down the Wishing Well]]|text= | |||
A lie, alive, alone. This is someone else’s poem.<br> | |||
I stitched the words together from the comfort of a melting home.<br> | |||
In death her mem’ry fades. In the sun it shines anew.<br> | |||
But the beating heart within her chest spills blood atop his holy pew.<br> | |||
Can you hear it? Can you smell? Are you halfway down the wishing well?<br> | |||
Is it dark and damp and wrong and bad? Remind you of a former Hell?<br> | |||
I fuck the pussy hard. I fuck it with my willy.<br> | |||
I fuck it fuck it fuck I’m fucking pussy fuck fuck going silly.<br> | |||
Zooble dooble dop dop pop ploor beep borp booble doop.<br> | |||
Boloobleooble oopy dop bogooble zoopy boop.<br> | |||
Just wanna make my wiener strong so Mommy will be proud.<br> | |||
If I fuck another mommy Mommy frowns and says I’m not allowed.<br> | |||
I’m confused though cause this isn’t love. I’m stuck under a spell.<br> | |||
It’s not my heart that does it. It’s my wiener and it does it well.<br> | |||
Gotta make the pussy cum. Gotta make her cry.<br> | |||
Then later I’ll go home and think about how much I want to die.<br> | |||
|note=}} | |||
{{Poem|title=A lie, alive, alone II|author=Selebus|appearance=[[Halfway Down the Wishing Well]]|text= | |||
A lie, alive, alone. This is someone else’s home.<br> | |||
I stitched these words together so they’d form another happy poem.<br> | |||
I wish you were there with me — in the darkness where we slept.<br> | |||
“But instead you had to leave us,” quoth the creaking of the seventh step.<br> | |||
|note=}} | |||
{{Poem|title=As sweet as nectar|author=[[Selebus]]|appearance=[[Clam's Tongue]]|text= | |||
as sweet as nectar,<br> | |||
as cold as snow;<br> | |||
one kind and caring,<br> | |||
one lost and low.<br> | |||
<br> | <br> | ||
reach out and take it,<br> | |||
feel it and know;<br> | |||
if you can’t feel your hands<br> | |||
you can’t ever let go<br> | |||
|note=}} | |note=}} | ||
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|note=}} | |note=}} | ||
{{Poem|title=Circles|author=[[Selebus]]|appearance=[[Eighth Eye of the Wolf Spider]]|text= | |||
Circle one<br> | |||
The passing glance<br> | |||
The color of her eyes<br> | |||
<br> | |||
Circle two<br> | |||
The daylight's glow<br> | |||
The paleness of her thighs<br> | |||
<br> | |||
Circle three<br> | |||
The reckoning<br> | |||
The absence of her voice<br> | |||
<br> | |||
Circle four<br> | |||
The killing sleep<br> | |||
You've already made your choice<br> | |||
<br> | |||
Circle five<br> | |||
The unseen eye<br> | |||
A friend a lovers touch<br> | |||
<br> | |||
Circle six<br> | |||
The rabbits kick<br> | |||
I love you so damn much<br> | |||
<br> | |||
Circle seven<br> | |||
Passenger<br> | |||
The attic light still shines<br> | |||
<br> | |||
Circle eight<br> | |||
You miss her<br> | |||
But you can't explain quite why<br> | |||
|note=}} | |||
{{Poem|title=Flowers, flowers, all around us|author=Selebus|appearance=[[Again, I Can't Recall]]|text= | |||
Flowers, flowers, all around us; to grow and then decay-<br> | |||
To parallel our livelihoods and mirror passing days.<br> | |||
When you speak into that mirror, what is it you will say?<br> | |||
Are you excited for the future? Or do you wish it all away?<br> | |||
To heart, my friends and family! For these mirrors are just jokes!<br> | |||
The flowers reek of simile! The metaphors of oak!<br> | |||
Reverse! Return! Repeat your words! If you keep them in, you'll choke.<br> | |||
Press the flowers to your nose; breathe them in like smoke.<br> | |||
|note=This poem is signed as [[Pseudonym|The girl who cannot breathe]]}} | |||
{{Poem|title=Good Boy|author=[[Selebus]]|appearance=[[Good Boy]]|text= | |||
Today, I am going to be a good boy.<br> | |||
I buckle my belt and tie both my shoes, cause that's what all the good boys do.<br> | |||
I put on my backpack and fasten my gloves, cause that is what a good boy does.<br> | |||
I shoveled the driveway and vacuumed the floor. I folded my laundry, I did all my chores.<br> | |||
I washed the whole house, I cleaned all our rooms. I took out the garbage, pulled hair off the brooms.<br> | |||
I fed both the dogs so they wouldn't bark. Can I go outside now? I'll be home before dark.<br> | |||
I'll look both ways when I'm crossing the street. I'll eat all my veggies and say not to sweets.<br> | |||
I'll take off my pants, stay quiet for you. I won't tell a soul. I promise it's true.<br> | |||
I'm such a good boy, so why can't I play? Why can't I have friends? I'll do what you say.<br> | |||
I'm such a good boy. Obedient too. So easy to touch, so easy to use.<br> | |||
So easy to break, yet you always play rough. I'm such a good boy. Can't that be enough?<br> | |||
I buckle my belt and tie both my shoes, cause that's what all the good boys do.<br> | |||
I put on my backpack and keep my mouth shut. Then saunter to school with a pain in my gut.<br> | |||
Today, I am going to be a good boy.<br> | |||
|note=}} | |||
{{Poem|title=Mothers Milk I|author=[[Selebus]]|appearance=[[Mother's Milk]]|text= | {{Poem|title=Mothers Milk I|author=[[Selebus]]|appearance=[[Mother's Milk]]|text= | ||
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{{Poem|title= | {{Poem|title=Mudwater|author=Selebus|appearance=[[A Thousand Years]]|text= | ||
I said to thee, oh demons wait<br> | |||
And spread my tired wings<br> | |||
And throwing stones you'll surely make<br> | |||
A mess of brighter things.<br> | |||
<br> | <br> | ||
Give us this day our daily bread<br> | |||
And drink his holy blood<br> | |||
For when tomorrow comes you'll see<br> | |||
The | The dirt will turn to mud.<br> | ||
|note=This poem is transcribed from the audio file mudwater.mp3. The grammar and format here is the editor's interpritation, not Selebus's writing}} | |||
It | {{Poem|title=My Life With You|author=Selebus|appearance=[[My Life With You]]|text= | ||
A room full of sunshine, blacked out by a sheet.<br> | |||
It was there you and I were destined to meet.<br> | |||
Not for the first time, you’ve been there from the start.<br> | |||
But that room full of sunshine filled a hole in my heart.<br> | |||
We both couldn’t see it, but we know it was there.<br> | |||
So with holes in our clothing and knots in our hair-<br> | |||
We’d get out of bed for just minutes each day.<br> | |||
We didn’t speak much, there was nothing to say.<br> | |||
But one day that changed and the dark disappeared.<br> | |||
We took down that sheet and we faced what we feared.<br> | |||
You became my world, since the old one was gone.<br> | |||
Then one day it hit me, like I'd known all along.<br> | |||
I guess it sounds silly, but I know it's true.<br> | |||
A room full of sunshine - that's my life with you.<br> | |||
I | |note=In the story of Lessons in Love, this poem is authored by [[Ami]] about [[Sensei]]}} | ||
|note=}} | |||
{{Poem|title= | {{Poem|title=Neon Heart|author=[[Selebus]]|appearance=[[Neon Heart (If I Close My Eyes)]]|text= | ||
mistakes, mistakes<br> | |||
o, neon heart,<br> | |||
the way you make me glow.<br> | |||
i can not fathom<br> | |||
life apart<br> | |||
from what you’ve helped me grow<br> | |||
|note=}} | |note=}} | ||
{{Poem|title=Poetry Contest: Ami|author=Selebus|appearance=[[Pseudonym]]|text= | |||
Summer. Winter. Paradox. No autumn, nor a spring;<br> | |||
At night, I watch the sakura peel themselves off thick, red strings.<br> | |||
Why can I see what isn’t there? Why can’t I feel the sting?<br> | |||
Of the town that took the world away and the evil song it sings.<br> | |||
|note=In the story of Lessons in Love, this poem Ami's contribution to the poetry contest}} | |||
{{Poem|title=Poetry Contest: Futaba|author=Selebus|appearance=[[Pseudonym]]|text= | |||
{{Poem|title=Futaba | |||
The town that I grew up in;<br> | The town that I grew up in;<br> | ||
Where I still grow today.<br> | Where I still grow today.<br> | ||
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{{Poem|title=Noriko | {{Poem|title=Poetry Contest: Noriko|author=Selebus|appearance=[[Pseudonym]]|text= | ||
Noriko's poem:<br> | Noriko's poem:<br> | ||
No blindeyes bloom on paths I walk, but I found a shepherd’s purse;<br> | No blindeyes bloom on paths I walk, but I found a shepherd’s purse;<br> | ||
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|note=In the story of Lessons in Love, this poem Noriko's contribution to the poetry contest}} | |note=In the story of Lessons in Love, this poem Noriko's contribution to the poetry contest}} | ||
{{Poem|title=poempoem|author=[[Selebus]]|appearance=[[To Catch Me If I Fall]]|text= | |||
{{Poem|title= | Write a poem about a poem<br> | ||
when you don't know what to write.<br> | |||
When the thoughts get caught inside your head-<br> | |||
when they keep you up at night.<br> | |||
<br> | <br> | ||
It's okay if it means nothing.<br> | |||
In fact, it won't most of the time.<br> | |||
Just put something on paper.<br> | |||
It doesn't even have to rhyme.<br> | |||
(But it's better if it does.)<br> | |||
' | |||
' | |||
|note=}} | |note=}} | ||
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I could tell you why the cardinals fly.<br> | I could tell you why the cardinals fly.<br> | ||
|note=}} | |note=}} | ||
{{Poem|title=It's Pouring|author=Selebus|appearance=[[Imaginary Veins]]|text= | |||
At night, I reach the end of days - but only until morning.<br> | |||
Every time I close my eyes, I die - but I can't sleep because it's pouring.<br> | |||
So as the clouds conceal the sun and the sky continues storming;<br> | |||
I'll tell myself I love you - for if I don't, it gets too boring.<br> | |||
~ Me, who's right behind you<br> | |||
|note=}} | |||
{{Poem|title=Regardless of the nightingale|author=Selebus|appearance=[[Girls Just Want to Have Fun]]|text= | |||
Regardless of the nightingale,<br> | |||
and the songs it wants to sing -<br> | |||
I'm content with just my picture book.<br> | |||
I'm content with simple things.<br> | |||
<br> | |||
The sky, the moon, the rocks, the sand.<br> | |||
The clouds above my head.<br> | |||
The scent of chamomile and mint<br> | |||
The creaking of my bed.<br> | |||
It used to hurt, but now it won't -<br> | |||
At least that's what I've been told.<br> | |||
I'm content with being loved like this.<br> | |||
I'm mature for __ years old.<br> | |||
|note=This poem is signed by the Girl With BROKEN Wings}} | |||
{{Poem|title=Roses are red, my eyes are blue|author=Selebus|appearance=[[Hyzenthlay]]|text= | |||
Roses are red, my eyes are blue.<br> | |||
The grass is all greenish, and you're the real you!<br> | |||
The real you is awesome! Just a little confused.<br> | |||
But how could you not be when I’m confused too?<br> | |||
|note=}} | |||
{{Poem|title=Spiderbug|author=Selebus|appearance=[[Wither]]|text= | {{Poem|title=Spiderbug|author=Selebus|appearance=[[Wither]]|text= | ||
one for me and one for you,<br> | one for me and one for you,<br> | ||
Line 962: | Line 815: | ||
i can't help but fall in love with you.<br> | i can't help but fall in love with you.<br> | ||
|note=This poem is signed as [[Pseudonym|The girl who cannot breathe]]}} | |note=This poem is signed as [[Pseudonym|The girl who cannot breathe]]}} | ||
{{Poem|title=The dawning of a new day dies I|author=Selebus|appearance=[[Hyzenthlay]]|text= | |||
{{Poem|title= | The dawning of a new day dies, but an ending has begun.<br> | ||
I | And with the blue sky gone we'll see another setting sun.<br> | ||
And | It's orange and...all red or something. It's glowing and it's...fun?<br> | ||
And | Words go here, then more words here. My stupid poem is done.<br> | ||
A mess of | |note=}} | ||
{{Poem|title=The dawning of a new day dies II|author=Selebus|appearance=[[Eyes Closed, Chin Up]]|text= | |||
The dawning of a new day dies, but an ending has begun.<br> | |||
The one who spoke these words before was eaten by the sun.<br> | |||
That's the millionth hint I've given you — this next line is the last one.<br> | |||
There's a field not far from here I love in the web that God has spun.<br> | |||
|note=}} | |||
{{Poem|title=There will be no river, nor tears at all|author=Selebus|appearance=[[Voice of Vibration]]|text= | |||
There will be no river, nor tears at all-<br> | |||
For it hurts the most before the fall.<br> | |||
Then afterwards, with broken bones-<br> | |||
And flesh untucked from dermal homes-<br> | |||
The sky is where we find salvation.<br> | |||
Our final sight and last sensation.<br> | |||
As eyes roll back, and respiration-<br> | |||
Contorts our lungs in expiration-<br> | |||
We’ll rely on half-unpacked narration<br> | |||
And take shelter in these new vibrations.<br> | |||
|note=In the story of Lessons in Love, this poem is authored by Sensei following a conversation with [[Miku]]}} | |||
{{Poem|title=what was it 'bout the soft sand|author=[[Selebus]]|appearance=[[Episcopalis: Pickled Plums & Polyrhythmic Psalms]]|text= | |||
what was it 'bout the soft sand, and its interrupted sleep<br> | |||
that woke you from your dying dreams and brought you here to me?<br> | |||
<br> | |||
do you wish to speak in solemn tones? have you torn your wilted tongues?<br> | |||
are you vulnerable, my child? are you simply seeking fun?<br> | |||
<br> | |||
i will absolve you of toxicity and sin, the spiral stops.<br> | |||
just place on hand upon my chest, the other on the clock. | |||
<br> | |||
if you think the world's left you behind, i implore you think again.<br> | |||
for it isn't until time is gone that you, my child;<br> | |||
<br> | |||
begin.<br> | |||
|note=From the image ''ifoundgodunderthewing.webp''.}} | |||
{{Poem|title=Wrap yourself in plastic|author=[[Selebus]]|appearance=[[Pluto Was Never Really a Planet]]|text= | |||
wrap yourself in plastic<br> | |||
wrap yourself in me<br> | |||
swallowing a padlock<br> | |||
then swallowing the key<br> | |||
press the needle to your lips<br> | |||
sewn tight so you can’t shout<br> | |||
forgetting it was you who did this<br> | |||
when you opened up your mouth<br> | |||
<br> | |||
seal yourself in silicone<br> | |||
seal yourself in sorrow<br> | |||
because what’s the point of living<br> | |||
when the world you love is hollow<br> | |||
press your face against the glass<br> | |||
feel the chill of doubt<br> | |||
your reflection feels what you feel<br> | |||
that’s why it won’t come out<br> | |||
<br> | |||
dear god.<br> | |||
what must I do to make you love<br> | |||
me?<br> | |||
|note=From the yayapoemX.png series of images. Not available through Event Replay.}} | |||
{{Poem|title=I'll be Besides You Always|author=[[Selebus]]|appearance=[[Fairytale (The End Until Tomorrow)]]|text= | |||
When the night comes to an end, just know -<br> | |||
<br> | |||
I'll be beside you always.<br> | |||
<br> | |||
Through rain and fog, in heat and snow -<br> | |||
<br> | |||
At the end of every hallway.<br> | |||
<br> | |||
O'er these dark, unventured hills we climb -<br> | |||
<br> | |||
With canisters of light.<br> | |||
<br> | |||
The dawning of a new days dies.<br> | |||
<br> | |||
And it's here we say goodnight.<br> | |||
|note=}} | |||
{{Poem|title=There Will be no River|author=[[Selebus]]|appearance=[[Voice of Vibration]]|text= | |||
There will be no river, nor tears at all -<br> | |||
<br> | |||
For it hurts the most *before* the fall.<br> | |||
<br> | |||
Then afterwards, with broken bones -<br> | |||
<br> | |||
And flesh untucked from dermal homes-<br> | |||
<br> | |||
The sky is where we find salvation.<br> | |||
<br> | |||
Out final sight and last sensation.<br> | |||
<br> | |||
As eyes roll back, and respiration -<br> | |||
<br> | |||
Contorts ourn lungs in exporation -<br> | |||
<br> | |||
We'll rely on half-unpacked narration<br> | |||
<br> | |||
And take shelter in these new vibrations.<br> | |||
<br> | |||
This one was me. [Sensei]<br> | |||
<br> | |||
But I wish that it wasn't.<br> | |||
<br> | |||
So I'll forget it immediately.<br> | |||
|note=}} | |||
{{Poem|title=Some Doors Never Open|author=[[Selebus]]|appearance=[[Essence of Eiderdown]]|text= | |||
[Top Left]<br> | |||
<br> | |||
opaque o pal o passenger<br> | |||
<br> | |||
my arrow's in your heart<br> | |||
<br> | |||
the second you remove it<br> | |||
<br> | |||
is the moment we restart<br> | |||
<br> | |||
[Middle Right]<br> | |||
<br> | |||
forbidden glass and plastic wrap<br> | |||
<br> | |||
that cleaning fluid smell<br> | |||
<br> | |||
that seeps into your sinuses<br> | |||
<br> | |||
is it heaven? is it hell?<br> | |||
<br> | |||
[Bottom Left]<br> | |||
<br> | |||
seven six five four three two<br> | |||
<br> | |||
one two three four five six<br> | |||
<br> | |||
nine eight seven eight and four<br> | |||
<br> | |||
two four nine seven six<br> | |||
<br> | |||
[Bottom Right]<br> | |||
<br> | |||
praying mantis, folded hands,<br> | |||
<br> | |||
the greenbug turns to brown<br> | |||
<br> | |||
the brownbug turns to turpentine<br> | |||
<br> | |||
its smile starts to frown<br> | |||
<br> | |||
[Bottom Middle]<br> | |||
<br> | |||
some doors never open<br> | |||
|note=From the image ''mikudoortime.webp''.}} | |||
{{Poem|title=Seasons Greetings Blessed One|author=[[Selebus]]|appearance=[[The End of the World]]|text= | |||
Seasons greetings blessed one<br> | |||
<br> | |||
This is when it hurts the most<br> | |||
<br> | |||
Your namesake shift in worlds returned<br> | |||
<br> | |||
Seven hands without a host<br> | |||
|note=}} | |||
{{Poem|title=So Funny is the Mockingbird|author=[[Selebus]]|appearance=[[The Collector]]|text= | |||
So funny is the mockingbird, the way it mocks you so.<br> | |||
<br> | |||
The way it commandeers your voice and shows you all you need to know.<br> | |||
<br> | |||
But when that mockingbird don't sing - when you can't find your voice.<br> | |||
<br> | |||
Just scream until your throat goes numb and drown your sorrows in the noise.<br> | |||
|note=}} | |||
{{Poem|title=Hydrangea Fields|author=[[Selebus]]|appearance=[[The Collector]]|text= | |||
Hydrangea fields and hummingbirds -<br> | |||
<br> | |||
Keys without a lock to hide in<br> | |||
<br> | |||
The taste of mother's milk turned sour -<br> | |||
<br> | |||
And a messy room you should have died in<br> | |||
<br> | |||
<br> | |||
Your teeth will melt once more<br> | |||
<br> | |||
Learn to use your hands<br> | |||
<br> | |||
Your third great love has wilted<br> | |||
|note=From the image ''hydangreafield.webp''}} | |||
{{Poem|title=A Flicker in the Attic Light|author=[[Selebus]]|appearance=[[The Collector]]|text= | |||
One goes out and one comes in,<br> | |||
I wonder why that is?<br> | |||
There's a flicker in the attic light,<br> | |||
I think it might be his.<br> | |||
<br> | |||
follow me<br> | |||
to be a better you<br> | |||
|note=From the image ''hydrangeafield2.web''}} | |||
{{Poem|title=Home is Where the House is|author=[[Selebus]]|appearance=[[Not the Nightingale]]|text= | |||
Home is where the house is, but the house won't let me in.<br> | |||
<br> | |||
That's FINE because I KEPT a second KEY inside her skin}<br> | |||
<br> | |||
I heard there was a secret chord, the secret's spread to thin -<br> | |||
<br> | |||
Her tongue still tastes like arsenic//her bones are in the bin<br> | |||
|note=}} | |||
{{Poem|title=In Regards to the Peony|author=[[Selebus]]|appearance=[[In Regard to the Peony]]|text= | |||
The peony sleeps in its bed of unrest - 'neath the fireflies' wings and their humble caress<br> | |||
<br> | |||
The end of an onset - the base of a nest - in a future so fertile; one loss acquiesced.<br> | |||
<br> | |||
The plucking of feathers - stems torn from the soil. The egg might be old, but who says it has spoiled?<br> | |||
<br> | |||
To drink in its yolk; to bathe in its oil - makes this little girl squeal, lest the garden recoils.<br> | |||
|note=}} | |||
{{Poem|title=Christmas Day|author=[[Selebus]]|appearance=[[Goodnight Moon]]|text= | |||
It's the 25th at 2:00 AM - I just heard Santa leave.<br> | |||
<br> | |||
I can't wait to see my gifts this year. I've been up since Christmas Eve.<br> | |||
<br> | |||
Mom says to stay put in my room - Dad says I must be good.<br> | |||
<br> | |||
But good girls get excited too. I wish they understood -<br> | |||
<br> | |||
How badly that I want those gifts. How wondrous they must be -<br> | |||
<br> | |||
I didn't even make a list this year. Santa, what's in store for me?<br> | |||
<br> | |||
A pony or a peony? A dollhouse or a doll?<br> | |||
<br> | |||
Maybe Santa gave me all of them? Maybe Rudolph's in the hall?<br> | |||
<br> | |||
I can't help but break the rules this time. I'm so gleeful, I can't wait.<br> | |||
<br> | |||
So I throw open my bedroom door! Sprint down the stairs, but...<br> | |||
<br> | |||
It's too late.<br> | |||
<br> | |||
There's nothing near the Christmas tree, but that fat man drank the milk.<br> | |||
<br> | |||
He ate my homemade cookies and spilled crumbs across the Christmas silk.<br> | |||
<br> | |||
Now I'm grounded and in trouble. Mom is angry, Dad is pissed.<br> | |||
<br> | |||
And I can't help but sit and wonder what would happen if I made a list.<br> | |||
<br> | |||
If I turned the cuckoo backward, would it cry again at midnight?<br> | |||
<br> | |||
Would Santa break into our home? Should I turn back on the light?<br> | |||
<br> | |||
I'm a good girl every other day. It's just one rule I defied.<br> | |||
<br> | |||
So why should *I* be punished while the bad girls play outside?<br> | |||
<br> | |||
With their peonies and ponies. Their dollhouses and dolls.<br> | |||
<br> | |||
I watch them from my window. Footsteps echo down the hall -<br> | |||
<br> | |||
I think it's Santa here again. No, I think it might be God.<br> | |||
<br> | |||
He mocks me from behind the door, but I see through his facade.<br> | |||
<br> | |||
As it turns out, Santa isn't real. I've accepted nothing is.<br> | |||
<br> | |||
That some girls just draw the short straw due to helplessness or haplessness.<br> | |||
<br> | |||
I'm giving up on Christmas. I'm giving up on fate.<br> | |||
<br> | |||
Starting now, I'll make my own gifts. Starting now, I'll...<br> | |||
<br> | |||
"Oh, I forgot to come up with a rhyme for the last line."<br> | |||
|note=}} | |||
{{Poem|title=On the Way to Twenty-Four|author=[[Selebus]]|appearance=[[You & Me Against the World]]|text= | |||
When the morning comes, you'll feel much better. Every day you grow some more.<br> | |||
<br> | |||
A perfect season, perfect weather -<br> | |||
<br> | |||
On the way to twenty-four.<br> | |||
|note=}} | |||
{{Poem|title=I Found a Dying Parrot|author=[[Selebus]]|appearance=[[Weak Man, Weak Boy]]|text= | |||
I found a dying parrot, I locked him in a cage.<br> | |||
My intention was to free him just before he'd come of age.<br> | |||
But I grew a liking to that bird. The way he sung was sweet.<br> | |||
Now I give him seeds and water, and he makes me feel complete.<br> | |||
<br> | |||
I'm not allowed to keep a bird here.<br> | |||
There are rules against that sort of thing.<br> | |||
But it's fun to break the rules sometimes,<br> | |||
It's fun to chirp, it's fun to sing.<br> | |||
<br> | |||
Give us this day our daily bread, and I'll give you back your home.<br> | |||
Because when that mockingbird don't mock -<br> | |||
All you have are hollow bones.<br> | |||
<br> | |||
- The Girl Who Cannot Breathe.<br> | |||
|note=From the image ''sanaisbetternow1.webp''}} | |||
{{Poem|title=What Skills I Need to Fly|author=[[Selebus]]|appearance=[[The Motherland Calls!]]|text= | |||
For a week now, I've been wondering - what skills I need to fly.<br> | |||
<br> | |||
If hope alone can grant me wings - if concern alone is fine.<br> | |||
<br> | |||
But the problem with this dream of mine's not the chance that I might die -<br> | |||
<br> | |||
It's the fact that I might hurt you.<br> | |||
<br> | |||
It's the chance that you might cry.<br> | |||
<br> | |||
Who raps upon my chamber door? Who crawls across these marble floors?<br> | |||
<br> | |||
Who scratches at my coffin's lid and mocks the raven's "nevermore?"<br> | |||
<br> | |||
I hear things, Boy. I'm scared. I'm yours!<br> | |||
<br> | |||
But you're not here when I need you.<br> | |||
<br> | |||
There's no glow to make me pure.<br> | |||
<br> | |||
They're here again. I hear them. Those endless, violent knocks -<br> | |||
<br> | |||
It's been three weeks since I've slept, I think - this dead bird never mocks.<br> | |||
<br> | |||
But the blues and reds still fly, I think. I think the door's unlocked.<br> | |||
<br> | |||
I think I think I'm losing it. I think I think I'm lost.<br> | |||
<br> | |||
Arakiel's silhouette - Azrael's old cot><br> | |||
<br> | |||
Daniel's misbegotten snake - Etinsib Ziwa's war/Nbat!<br> | |||
<br> | |||
Harmozel and Hofniel* What Gossamer forgot}<br> | |||
<br> | |||
I think my light is burning out.<br> | |||
<br> | |||
I fear my mind will rot.<br> | |||
|note=}} | |||
{{Poem|title=Cicada Songs and Lemon Drops|author=[[Selebus]]|appearance=[[Miraculous Human-Glue]]|text= | |||
Cicada songs and lemon drops - a shiny coin for choco-pops.<br> | |||
<br> | |||
A puddle near that old oak tree - the things that you would do to me.<br> | |||
<br> | |||
Play make-believe. Play hide and seek. Play hopscotch during Golden Week.<br> | |||
<br> | |||
That hamster wheel we bought last year - a picture book of grazing deer.<br> | |||
<br> | |||
And a pile of rocks that does naught but make me wish that I was home.<br> | |||
<br> | |||
With tickle-fights and bug-filled nets - we'd stare up at that spring sunset.<br> | |||
<br> | |||
Think "This is great!" or "Wonderful!" or "Splendid view!" or "Colorful!"<br> | |||
<br> | |||
Or "I think I'm sad" or "My head still hurts" or "I'm really sad" or "My stomach hurts."<br> | |||
<br> | |||
We used to think so many things. We had so many songs to sing.<br> | |||
<br> | |||
But now we rarely open our mouths because our teeth keep dripping onto our candy bars.<br> | |||
<br> | |||
Such better days, I miss our youth! I miss all of my time with you!<br> | |||
<br> | |||
I miss falling down. Miss bandaged knees. Miss fireflies and centipedes.<br> | |||
<br> | |||
Miss the way you looked when you'd look at me. Miss the way I looked when I couldn't see.<br> | |||
<br> | |||
I can do that now. All the light's grown in. But my youth is gone, I'm spread too thin.<br> | |||
<br> | |||
And I keep seeing things that I know aren't actually there but they feel like they're there and I've begun to pull my hair out.<br> | |||
<br> | |||
Cherry-scented soap and pine - a silly tune to pass the time.<br> | |||
<br> | |||
A paddleboat through River Styx - a skeleton! A house with bricks!<br> | |||
<br> | |||
A knife wound in your upper thigh - I'll press down hard so you won't cry.<br> | |||
<br> | |||
It's soup again. It's dinner time. I'll hold your hand if you hold mine.<br> | |||
<br> | |||
I don't know how much longer I can keep having these dreams of our youth without sweetening my midnight tea with arsenic.<br> | |||
<br> | |||
Some nights I think it would make them last forever.<br> | |||
<br> | |||
Some nights I think I'm being watched.<br> | |||
<br> | |||
- Girl<br> | |||
|note=}} | |||
{{Poem|title=Summer Glow|author=[[Selebus]]|appearance=[[Miraculous Human-Glue]]|text= | |||
Springing forward, summer glow - autumn's kiss in winter snow.<br> | |||
<br> | |||
The paths we take, the shoes we wear - those tattered soles in grave despair.<br> | |||
<br> | |||
I once felt death was make-believe. I once felt love, then watched it leave.<br> | |||
<br> | |||
Now floorboards creak and call for me - but you won't speak nor talk to me.<br> | |||
<br> | |||
And that's why I'll never sleep alone.<br> | |||
<br> | |||
We're close than you know, Boy.<br> | |||
<br> | |||
This house is not your home.<br> | |||
|note=}} | |||
{{Poem|title=Hell Doth Repent|author=[[Selebus]]|appearance=[[Happy]]|text= | |||
Heaven-sent, hell doth repent<br> | |||
<br> | |||
the evils in its home.<br> | |||
<br> | |||
A million nights, but just one spent-<br> | |||
<br> | |||
Impossibly alone.<br> | |||
|note=}} | |||
{{Poem|title=A Pep in my Step|author=[[Selebus]]|appearance=[[The Clod and the Pebble]]|text= | |||
There's a pep in my step as I step up the steps. And in other news, the sky is blue. Just this time there's a smile too.<br> | |||
<br> | |||
The smile is red, my girlfriend is dead, and for lack of more rhyming, GET OUT OF MY HEAD.<br> | |||
|note=}} | |||
{{Poem|title=The Ones you Keep Inside|author=[[Selebus]]|appearance=[[Priestess of Fallen Snow]]|text= | |||
Spiderwebs. A calendar. The ones you keep inside.<br> | |||
<br> | |||
A god. A bucket. Heresy. A man who almost died.<br> | |||
<br> | |||
A ghost. A moon. She's lying. There's nowhere we can hide.<br> | |||
<br> | |||
We're done. We're doomed. We're dying. The well has nearly dried.<br> | |||
<br> | |||
<br> | |||
[The rest of it is in hex, which I have translated.]<br> | |||
<br> | |||
When he shall die, take him and cut him into little stars<br> | |||
<br> | |||
And he will make the face of Heaven so fine<br> | |||
<br> | |||
That all the world will be in love with night<br> | |||
<br> | |||
And pay no worship to the garish sun<br> | |||
<br> | |||
[LINE BREAK]<br> | |||
<br> | |||
Go unto them and make them believe, but make them trust you first<br> | |||
<br> | |||
Cursed be those gentiles lest they destroy the world we have built<br> | |||
<br> | |||
From atop this roof I speak to you, o messenger. O child.<br> | |||
<br> | |||
You are permanent and perfect. I am rabid and reviled.<br> | |||
|note=}} | |||
{{Poem|title=The Hallway of Life|author=[[Selebus]]|appearance=[[Every Day Birds (In Nothing But Blood)]]|text= | |||
The hallway of life is door upon door.<br> | |||
<br> | |||
Each door has a doorknob. Each opens to secrets.<br> | |||
<br> | |||
One secret. One doorknob.<br> | |||
<br> | |||
Daily, I choose a doorway to walk through.<br> | |||
<br> | |||
At times I'm confused for I know that each door is a new day to live, a new way to struggle, a new way to give.<br> | |||
<br> | |||
I stand in this hall lined with doors, doors galore, knowing each doorway will open to more -<br> | |||
<br> | |||
Seeking the one that will make me feel free -<br> | |||
<br> | |||
And turning a doorknob to find a new me...<br> | |||
|note=}} | |||
{{Poem|title=Imagine|author=[[Selebus]]|appearance=[[The One With A Happy Ending]]|text= | |||
imagine what it's like to have your hands and feet combined<br> | |||
imagine how it feels to place your handfoothand in mine<br> | |||
imagine how the stars move<br> | |||
imagine how they burn<br> | |||
imagine if we dogfoot and the foot and the handfoot churn<br> | |||
|note=From the image ''campingtime1.webp''}} | |||
{{Poem|title=What Makes a Girl|author=[[Selebus]]|appearance=[[Tree Village (The Color Machine)]]|text= | |||
WHAT MAKES A GIRL A GIRL AND NEVER SOMEONE'S GOD<br> | |||
WHAT MAKES THE DIRT THE DIRT OR MUD BUT NEVER SOMEONE'S SOD<br> | |||
WHAT MAKES A SPECIAL WISH FOR WHAT WILL NEVER COME TO LIGHT<br> | |||
WHAT MAKES THE LIGHT A LIGHT AND NOT A WISH FOR ONE MORE NIGHT<br> | |||
<br> | |||
BEHOLDEN TO A BETTER BOY OR HALF A YEAR AT MOST<br> | |||
ABOARD INSIDE THE ATTIC HIDES A PINKY FINGER'S GHOST<br> | |||
|note=From the image''macaron5.png''}} | |||
{{Poem|title=Pick a Pack of Pickled Peppers|author=[[Selebus]]|appearance=[[What's in the Pot?]]|text= | |||
pick a pack of pickled peppers pedophilic park<br> | |||
jesus christ is on the cross and noah's on the ark<br> | |||
in different times and places god would pull us apart<br> | |||
so pick a pack of pickled peppers ~ lock me in the dark<br> | |||
|note=}} | |||
{{Poem|title=Another Moment Squandered|author=[[Selebus]]|appearance=[[The Art of Drowning]]|text= | |||
aNOTHER MOMENT SQUANDERED<br> | |||
bY THE BONES INSIDE YOUR HANDS<br> | |||
hOW THE THINGS THAT YOU SHOULD NEVER TOUCH<br> | |||
aRE THE ONES THAT HE DEMANDS<br> | |||
<br> | |||
nEXT TIME IT WILL BE YOUR CHOICE<br> | |||
tHE FALL HAS JUST BEGUN<br> | |||
fOR EVEN WHEN THESE FLOWERS BLOOM<br> | |||
tHEY DON'T FOLLOW THE SUN<br> | |||
|note=}} | |||
{{Poem|title=O, Terrible Danger|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium I: DEN OF THE MOLE RAT]]|text= | |||
O, terrible danger. O, big penis sex. O, world and its whirlpool. O, mole ratted necks.<br> | |||
<br> | |||
O, poetry, pottery, lottery, Shrek. O, rhyming - O, timing - On Dasher, On Deck!<br> | |||
|note=}} | |||
{{Poem|title=Envelop Me|author=[[Selebus]]|appearance=[[Meet Me At Our Spot]]|text= | |||
Blackest night, envelop me -<br> | |||
Protect me from my dreams<br> | |||
<br> | |||
For in them, I hear nothing<br> | |||
Not the cherub, nor its screams<br> | |||
|note=}} | |||
{{Poem|title=Silver Kings|author=[[Selebus]]|appearance=[[The Silver King]]|text= | |||
I've never longed for silken things, nor greener grass or wedding rings.<br> | |||
Just sex and sleep and songs to sing; a golden crown for silver kings.<br> | |||
<br> | |||
For on their heads, each strand of hair/each fleck of skin on royal chairs<br> | |||
does naught but argue 'gainst repair of better things in worsened care.<br> | |||
<br> | |||
To doubt is not to match the tone of songbirds, strong birds, murdered crows-<br> | |||
The point is to reflect and hone the brilliance in each broken home.<br> | |||
<br> | |||
I dreamt a dream again last night; against that never-ending light<br> | |||
Each bright and blinding flash to spite these eyes all devoid of sight-<br> | |||
<br> | |||
And in that dream, as pure as snow. As beautiful as autumn's glow<br> | |||
A boy appeared from down below, with skin as smooth as fine merlot-<br> | |||
<br> | |||
I spread my arms and then my legs. I welcomed him, he found my eggs<br> | |||
But at this point I must separate myself from the scheme that I've created because I-<br> | |||
...<br> | |||
Ahhh<br> | |||
Mother won't like this one bit.<br> | |||
|note=}} | |||
{{Poem|title=There is No You in You and Me|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium II: SISTER SOFTSKIN]]|text= | |||
There is no you in you and me but there is me in you<br> | |||
<br> | |||
This normally ends differently, but different isn't true<br> | |||
<br> | |||
So lie until your tongue falls off and scream your favorite song<br> | |||
<br> | |||
Then fill your hands with broken glass and squeeze until they're gone<br> | |||
|note=}} | |||
{{Poem|title=Here Forever, Special Girl|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium II: SISTER SOFTSKIN]]|text= | |||
Here forever, special girl! No matter what you do!<br> | |||
<br> | |||
You can change yourself a million times, but you'll never feel like you!<br> | |||
<br> | |||
Each time your fingers find your mouth, you give away a piece -<br> | |||
<br> | |||
Of sanity! Humanity! A chance to be complete!<br> | |||
|note=}} | |||
{{Poem|title=X Marks the Praetor|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium II: SISTER SOFTSKIN]]|text= | |||
X marks the praetor - a letter of love.<br> | |||
<br> | |||
The most shameful of angels in gardens above.<br> | |||
<br> | |||
You know the way out, you can still be complete<br> | |||
<br> | |||
You're a fat fucking bitch but I'd lick both your feet.<br> | |||
|note=}} | |||
{{Poem|title=O Sister Softskin|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium II: SISTER SOFTSKIN]]|text= | |||
peel the flesh, o sister softskin<br> | |||
your words all dressed in black<br> | |||
give us this day our daily bread<br> | |||
so we can give yours back<br> | |||
<br> | |||
heed the call, o sister softskin<br> | |||
don't drink yourself to death<br> | |||
just close your eyes and count to ten<br> | |||
before you take a breath<br> | |||
<br> | |||
a lie<br> | |||
a lie<br> | |||
align<br> | |||
|note=From the images ''sisftersoft1.webp'', ''sistersoft3.webp'', ''sistersoft4.webp}} | |||
{{Poem|title=Our Savior, Heavyheart|author=[[Selebus]]|appearance=[[Wake Me Up When It's Over]]|text= | |||
Stay our savior, heavyheart - cherished be your tongue<br> | |||
<br> | |||
The worm that lives inside your mouth and suffocates the young<br> | |||
|note=}} | |||
{{Poem|title=O' Infinite Spring|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium III: TWO-HEADED HORSE]]|text= | |||
O, infinite spring - your song ever sweet. How intimate, poignant, and true.<br> | |||
<br> | |||
How it blurs every line, every thought that we think - and brings me right back here to you.<br> | |||
|note=}} | |||
{{Poem|title=Flowers Merely Flower|author=[[Selebus]]|appearance=[[Dark White (Pretty Joy)]]|text= | |||
Because it has lived its life intensely<br> | |||
<br> | |||
the parched grass still attracts the gaze of passers-by.<br> | |||
<br> | |||
The flowers merely flower,<br> | |||
<br> | |||
and they do this as well as they can<br> | |||
|note=Appears behind Osako while she is reading out To The River by Edgar Allen Poe}} | |||
{{Poem|title=O' Slanted Door|author=[[Selebus]]|appearance=[[A Life I Never Wanted]]|text= | |||
slanted door, o slanted door - angled like the dutch<br> | |||
<br> | |||
a lock to keep the thieves away, a hole to see as such<br> | |||
<br> | |||
so when the knockingbird does knock, i hope that you'll be smart<br> | |||
<br> | |||
for open doors are dangerous, like girls with broken hearts<br> | |||
|note=}} | |||
{{Poem|title=In The Name of Dog|author=[[Selebus]]|appearance=[[Feed Me to the Farm]]|text= | |||
if it's in the name of dog<br> | |||
if it's locked inside a chest<br> | |||
<br> | |||
it's okay if frog boy opens it<br> | |||
it's a little doggy test<br> | |||
|note=}} | |||
{{Poem|title=Feed Me to the Farm|author=[[Selebus]]|appearance=[[Feed Me to the Farm]]|text= | |||
Chinami - Feed me to the Farm | |||
Here I sit in shrink wrap, left alone to rot.<br> | |||
To suffocate and die before I'm stuffed into a pot.<br> | |||
<br> | |||
Today, my bones will be soup. My skin will be broth.<br> | |||
My hair will be the garnish and my cum will be the froth -<br> | |||
<br> | |||
That coats the throats of goats and lambs, they'll feed me to the farm.<br> | |||
But I've yet to please the FDA, so there's a chance I might bring harm -<br> | |||
<br> | |||
Disease/a plague/ a parasite - the maddest of all cows.<br> | |||
Never once have I been human, never once have I been proud.<br> | |||
<br> | |||
To be what she has made of me. Ingredients, at best.<br> | |||
A speciment - this mess I'm in won't ever let me rest.<br> | |||
|note=}} | |||
{{Poem|title=T is for Time|author=[[Selebus]]|appearance=[[T Is For Time (Trees & Threes)]]|text= | |||
If T is for time or trees and threes then maybe my life isn't mine.<br> | |||
<br> | |||
If Heaven and Hell and the space in between can't be seen then I think I'll be fine.<br> | |||
<br> | |||
I won't ever get old, I won't ever die young, I'll do nothing but live and let love.<br> | |||
<br> | |||
But when living and loving are things I don't know -<br> | |||
<br> | |||
What exactly does my life consist of?<br> | |||
|note=}} | |||
{{Poem|title=Hidden Smiles in Paper Sleeves|author=[[Selebus]]|appearance=[[I Really Want to Stay at Your House]]|text= | |||
PLEASE UNWIND YOUR LATEST LEAVES<br> | |||
HIDDEN SMILES IN PAPER SLEEVES<br> | |||
A GOD AMONG THE RIGHTFUL THIEVES<br> | |||
<br> | |||
WHO LISTENS WHEN THE FOREST WONT<br> | |||
WHO LEAPS THE LOGS WHEN THE LEAPERS DONT<br> | |||
<br> | |||
WHO SPEAKS TO ME INSIDE MY HOME<br> | |||
WHO CRIES IN THAT CONCERNING TONE<br> | |||
<br> | |||
THE GIRL WHO IS A GIRL WHO IS A GIRL WHO IS INSANE<br> | |||
|note=Comes from picturepicture.webp}} | |||
{{Poem|title=Tree Tickler|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium III: TWO-HEADED HORSE]]|text= | |||
They call me the tree tickler. My fingers are perfect for that sort of thing.<br> | |||
Perhaps you’d like to feel their sting?<br> | |||
I’m as real as rhubarb. I come bearing gifts.<br> | |||
A palace, a portal, five bundles of sticks.<br> | |||
Won’t you enter my alley? I think we’d be fast friends.<br> | |||
|note=}} | |||
{{Poem|title=Fingers Press Her Temple|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium III: TWO-HEADED HORSE]]|text= | |||
Her finger presses her temple presses her temple presses her temple because that sort of thing helps with headaches.<br> | |||
Things that don’t belong suddenly do. And things that do suddenly don’t.<br> | |||
Remember the rabbits. Remember his chest. Remember his heartbeat and and and remember the REST '''SANA should be in BED'''<br> | |||
|note=}} | |||
{{Poem|title=A Medicine that Cures|author=[[Selebus]]|appearance=[[Transpacific Sadness Symposium III: TWO-HEADED HORSE]]|text= | |||
I have just the thing for that. A medicine that cures. Every sorrowful thought you ever did think, it’s a drink to make you pure.<br> | |||
|note=}} | |||
{{Poem|title=Empty Heart Appeal|author=[[Selebus]]|appearance=[[Empty Heart Appeal]]|text= | |||
Empty hearts are hard to break. That's something I have learned-<br> | |||
On walks down to my mother's lake. mistakes are made, not earned.<br> | |||
Through joy and pleasure, wind and rain, this fear of something new-<br> | |||
I won't ever see the point of pain, nor love received from you.<br> | |||
|note=}} | |||
{{Poem|title=I Wish That They Would Hurt Me|author=[[Selebus]]|appearance=[[ELATION PROTOCOL 99: NOODLEFOOT DISCO]]|text= | |||
Stick and stones may break my bones; I wish that they would hurt me.<br> | |||
<br> | |||
He strokes my hair when we're alone but he doesn't deserve me-<br> | |||
<br> | |||
HIS HANDS SO LARGE THEY SWALLOW MINE, I SWALLOW TOO JUST WATCH. HE TOUCHES ME, HE TOUCHES THEM, HE MAKES US CLEAN HIS CROTCH.<br> | |||
<br> | |||
A POEM, A POEM, A PARASITE. I HEAR THE VOICE OF GOD. SIX MILLION WHISPERS DEEPER AND I'M STILL THE PEBBLE'S CLOD<br> | |||
<br> | |||
'''BELIEVING ISN'T SEEING SINCE BELIEVEING ISN'T REAL. AND SEEING'S NOT BELIEVING 'TILL YOU'VE SEEN YOURSELF IN HEELS.'''<br> | |||
<br> | |||
'''NO MATTER HOW YOU CUT IT AND NO MATTER HOW IT BLEEDS, YOU WILL ALWAYS BE THE NOODLE GIRL'''<br> | |||
<br> | |||
'''''BECAUSE THATS WHAT WE AGREED'''''<br> | |||
<br> | |||
Sticks and stones may break my bones//it's time for your first h-scene<br> | |||
<br> | |||
A beautiful scene, is it not? To see the things that you forgot. But halt before His crime's alleged! The sharpening of a Gallow's Edge. The fear that pushed you from that ledge-<br> | |||
|note=}} | |||
{{Poem|title=Time to Build the Fifth Arc|author=[[Selebus]]|appearance=[[Soon (Another Nightmare)]]|text= | |||
So sit they did but break they didn't! At least not in a bad way. Because breaking can be good sometimes! This doesn't have to be a sad day<br> | |||
<br> | |||
Relax and breath and celebrate! Friendship makes the dream work. Then team work makes the other thing and...something makes the cream...jerk.<br> | |||
<br> | |||
It's rhyming time! It's time to rhyme! It's time to build a fifth arc! The third is full of bullet holes, the fourth is made of pine bark!<br> | |||
<br> | |||
So anyway, just look at this. Lock eyes with screen, put dick in fist. Then squeeze until it's purple while you wait for them to kiss!<br> | |||
<br> | |||
''ABCDEFG, HIJKL. ELLENELEMENOPEE, IT’S HOT DOWN HERE IN HELL.''<br> | |||
<br> | |||
Ami is a good girl and her best friend is a bad one. She's an uncle-stealing piece of shit who controls what Ami's dad's done.<br> | |||
<br> | |||
Or does or did-slash-doing, these eyes don't span for miles. Just escalators, elevators, while Ami sprints for MILES -<br> | |||
<br> | |||
To FIND that fucking BAD GIRL she's evil evil fuck! I hate her hate her oh my god she really really sucks!<br> | |||
<br> | |||
Ami Ami Ami Ami Ami Ami Ami. Ami Ami, Ami Ami, Ami Ami Ami?<br> | |||
<br> | |||
The needle goes in to suck out the truth.<br> | |||
|note=}} | |||
{{Poem|title=M is for Molly|author=[[Selebus]]|appearance=[[Everything Evil]]|text= | |||
M is for Molly; Y is for Yarn.<br> | |||
I is for Invisible; and A is for Arms.<br> | |||
S is for Silence; then I once again!<br> | |||
Then a little more silence so we can pretend.<br> | |||
|note=This poem has an acrostic within it. If you take the capitalized letter of each part of it, as well as the "silence" at the end, you get myiasis, which is "...also known as flystrike or fly strike, is the parasitic infestation of the body of a live animal by fly larvae that grow inside the host while feeding on its tissue."[https://en.wikipedia.org/wiki/Myiasis]}} | |||
{{Poem|title=To Build a Wall|author=[[Selebus]]|appearance=[[Down The Rabbit Hole]]|text= | |||
To build a wall or break one down;<br> | |||
It depends on what you want.<br> | |||
<br> | |||
To see a world outside of mirrors;<br> | |||
Or bathe in holy fonts.<br> | |||
<br> | |||
We all have things that we must do; <br> | |||
You, too, must fill your role.<br> | |||
<br> | |||
For if you don't, we ''all'' will fall;<br> | |||
Further down the rabbit hole.<br> | |||
|note=}} | |||
{{Poem|title=The Stars Beneath the Sky|author=[[Selebus]]|appearance=[[Down The Rabbit Hole]]|text= | |||
A LIE, A LIE, ALIGN!;<br> | |||
THE STARS BENEATH THE SKY!<br> | |||
<br> | |||
CHERISH THOSE WHO LOVE THEM AND RELINQUISH YOUR CONTROL!<br> | |||
<br> | |||
FEEL HIS GIFTS! RETURN HIS LOVE!<br> | |||
CLIMB FURTHER DOWN THE RABBIT HOLE!<br> | |||
|note=}} | |||
{{Poem|title=Ice Cream Cones|author=[[Selebus]]|appearance=[[Yellow Patch (Heaven in My Hands)]]|text= | |||
Paper doors and lanterns - arms that stretch for miles wide.<br> | |||
<br> | |||
Ice cream cones and sunburn - not knowing when to laugh or cry.<br> | |||
<br> | |||
Hide and seek and coloring - in books with pages white as snow.<br> | |||
<br> | |||
Senseless, violent muttering - not knowing when you shouldn't know.<br> | |||
<br> | |||
Watermelons left in light - a yellow patch to prove their worth.<br> | |||
<br> | |||
My mommy is a puzzle now - we dumped her pieces in the dirt.<br> | |||
<br> | |||
No one has it worse than me - and no one ever understands.<br> | |||
<br> | |||
An angel put a curse on me - now there's Heaven in my hands.<br> | |||
<br> | |||
A box of better days - a room that's filled with scary things.<br> | |||
<br> | |||
A poem for you from me - a lonely girl with broken wings.<br> | |||
|note=}} | |||
{{Poem|title=Another Place for Gods to Sleep|author=[[Selebus]]|appearance=[[The Girl Who Leapt Through Time]]|text= | |||
[Due to the poem flowing after a non-poetic ramble, I have added the ramble before the poem begins.]<br> | |||
<br> | |||
"And so Halloween becomes not-Halloween becomes Christmas! And Maya becomes a lesbian! What's next - Sensei kissing Taco Man during Dorm Wars on the beach!?"<br> | |||
<br> | |||
or perhaps there lies another place for gods to go to sleep<br> | |||
<br> | |||
perhaps they'll all make fun of us. perhaps they'll call us sheep.<br> | |||
<br> | |||
for being what we want to be in worlds that don't deserve<br> | |||
girls and boys that look like us, with bells to match our curves.<br> | |||
<br> | |||
What would you say if I told you there was nothing?<br> | |||
<br> | |||
the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl it's me<br> | |||
|note=}} | |||
{{Poem|title=Somewhere You're Not|author=[[Selebus]]|appearance=[[Wake Up (My Story)]]|text= | |||
Somewhere you're not/somewhere you are<br> | |||
Somewhere it's close/somewhere it's far<br> | |||
<br> | |||
The gash in your hands/the one in your leg<br> | |||
It matches my eyes/the same shade of red<br> | |||
<br> | |||
So why do you run?/Why do you hide?<br> | |||
If the memories fade/why not keep them inside?<br> | |||
<br> | |||
I've always been here/You're never alone<br> | |||
Our love is a house/We can make it a home<br> | |||
<br> | |||
A room for your pain/a room for your doubt<br> | |||
A room for your sister/A place to black out<br> | |||
<br> | |||
If death is a lake/we'll dive in as one<br> | |||
Our feet touch the sand/Our hearts touch the sun<br> | |||
<br> | |||
Remember the smell/Remember the light<br> | |||
Remember to smile/Remember I might<br> | |||
<br> | |||
But only if you can/forget everything<br> | |||
If you promise me that/I'll repair these old wings<br> | |||
<br> | |||
And we'll fly off together to a place no one can reach us.<br> | |||
THIS IS SUPPOSED TO BE MY STORY<br> | |||
<br> | |||
The girl with me who is me who is Ami I am Ami CAN YOU HEAR ME?<br> | |||
|note=}} | |||
{{Poem|title=Happy Family|author=[[Selebus]]|appearance=[[Pop Goes the Weasel]]|text= | |||
I'd kill to see that smiling face<br> | |||
I'd kill to make you mine<br> | |||
<br> | |||
Sometimes the story calls for that<br> | |||
Don't worry, I'm fine<br> | |||
<br> | |||
I'm happy, driven, full of love<br> | |||
My pussy's wet and tight<br> | |||
<br> | |||
But when my slit won't do the trick<br> | |||
The one in her neck might<br> | |||
|note=Comes from the audio happyfamily.mp3}} | |||
== Traditional == | |||
These poems lack a certified writer, as they're common pieces of prose within a certain culture. | |||
{{Poem|title=As I Went Up the Apple Tree|author=Traditional|appearance=[[Everything Evil]]|text= | |||
As I went up the apple tree<br> | |||
All the apples fell on me<br> | |||
Apple pudding, apple pie<br> | |||
Did you ever tell a lie?<br> | |||
|note=}} | |||
== Wallace Stevens == | |||
{{Poem|title=The Sense of the Sleight-Of-Hand Man|author=Wallace Stevens|appearance=[[The End of the Tour (Glasswalker)]]|text= | |||
One’s grand flights, one’s Sunday baths,<br> | |||
One’s tootings at the weddings of the soul<br> | |||
Occur as they occur. So bluish clouds<br> | |||
Occurred above the empty house and the leaves<br> | |||
Of the rhododendrons rattled their gold,<br> | |||
As if someone lived there. Such floods of white<br> | |||
Came bursting from the clouds. So the wind<br> | |||
Threw its contorted strength around the sky.<br> | |||
<br> | <br> | ||
Could you have said the bluejay suddenly<br> | |||
And | Would swoop to earth? It is a wheel, the rays<br> | ||
Around the sun. The wheel survives the myths.<br> | |||
The fire eye in the clouds survives the gods.<br> | |||
|note= | To think of a dove with an eye of grenadine<br> | ||
And pines that are cornets, so it occurs,<br> | |||
And a little island full of geese and stars:<br> | |||
It may be the ignorant man, alone,<br> | |||
Has any chance to mate his life with life<br> | |||
That is the sensual, pearly spuse, the life<br> | |||
That is fluent in even the wintriest bronze.<br> | |||
|note=}} | |||
== Walt Whitman == | |||
{{Poem|title=Roots and Leaves Themselves Alone|author=Walt Whitman|appearance=[[Side Event]]|text= | |||
'''Roots and leaves themselves alone are these;'''<br> | |||
'''Scents brought to men and women from the wild'''<br> | |||
''' woods, and from the pond-side,'''<br> | |||
'''Breast-sorrel and pinks of love—fingers that wind'''<br> | |||
''' around tighter than vines,'''<br> | |||
'''Gushes from the throats of birds, hid in the foliage'''<br> | |||
''' of trees, as the sun is risen;'''<br> | |||
Breezes of land and love—breezes set from living<br> | |||
shores out to you on the living sea—to you,<br> | |||
O sailors!<br> | |||
Frost-mellow'd berries, and Third-month twigs,<br> | |||
offer'd fresh to young persons wandering out<br> | |||
in the fields when the winter breaks up,<br> | |||
Love-buds, put before you and within you, whoever<br> | |||
you are,<br> | |||
Buds to be unfolded on the old terms;<br> | |||
If you bring the warmth of the sun to them, they<br> | |||
will open, and bring form, color, perfume, to<br> | |||
you;<br> | |||
If you become the aliment and the wet, they will<br> | |||
become flowers, fruits, tall branches and trees.<br> | |||
|note=}} | |||
== William Blake == | |||
{{Poem|title=A Divine Image|author=William Blake|appearance=[[A Tree Falls in the Forest]]|text= | {{Poem|title=A Divine Image|author=William Blake|appearance=[[A Tree Falls in the Forest]]|text= | ||
Cruelty has a Human Heart<br> | Cruelty has a Human Heart<br> | ||
Line 988: | Line 1,781: | ||
The Human Heart, its hungry Gorge.<br> | The Human Heart, its hungry Gorge.<br> | ||
|note=This poem appears in the image treefall3.png}} | |note=This poem appears in the image treefall3.png}} | ||
{{Poem|title=Auguries of Innocence|author=William Blake|appearance=[[Outcry of the Hunted Hare]]|text= | |||
'''To see a World in a Grain of Sand'''<br> | |||
'''And a Heaven in a Wild Flower'''<br> | |||
'''Hold Infinity in the palm of your hand'''<br> | |||
'''And Eternity in an hour'''<br> | |||
'''A Robin Red breast in a Cage'''<br> | |||
'''Puts all Heaven in a Rage'''<br> | |||
'''A Dove house filld with Doves & Pigeons'''<br> | |||
'''Shudders Hell thr' all its regions'''<br> | |||
'''A dog starvd at his Masters Gate'''<br> | |||
'''Predicts the ruin of the State'''<br> | |||
'''A Horse misusd upon the Road'''<br> | |||
'''Calls to Heaven for Human blood'''<br> | |||
'''Each outcry of the hunted Hare'''<br> | |||
'''A fibre from the Brain does tear'''<br> | |||
A Skylark wounded in the wing<br> | |||
A Cherubim does cease to sing<br> | |||
The Game Cock clipd & armd for fight<br> | |||
Does the Rising Sun affright<br> | |||
Every Wolfs & Lions howl<br> | |||
Raises from Hell a Human Soul<br> | |||
The wild deer, wandring here & there<br> | |||
Keeps the Human Soul from Care<br> | |||
The Lamb misusd breeds Public Strife<br> | |||
And yet forgives the Butchers knife<br> | |||
The Bat that flits at close of Eve<br> | |||
Has left the Brain that wont Believe<br> | |||
The Owl that calls upon the Night<br> | |||
Speaks the Unbelievers fright<br> | |||
He who shall hurt the little Wren<br> | |||
Shall never be belovd by Men<br> | |||
He who the Ox to wrath has movd<br> | |||
Shall never be by Woman lovd<br> | |||
The wanton Boy that kills the Fly<br> | |||
Shall feel the Spiders enmity<br> | |||
He who torments the Chafers Sprite<br> | |||
Weaves a Bower in endless Night<br> | |||
The Catterpiller on the Leaf<br> | |||
Repeats to thee thy Mothers grief<br> | |||
Kill not the Moth nor Butterfly<br> | |||
For the Last Judgment draweth nigh<br> | |||
He who shall train the Horse to War<br> | |||
Shall never pass the Polar Bar<br> | |||
The Beggars Dog & Widows Cat<br> | |||
Feed them & thou wilt grow fat<br> | |||
The Gnat that sings his Summers Song<br> | |||
Poison gets from Slanders tongue<br> | |||
The poison of the Snake & Newt<br> | |||
Is the sweat of Envys Foot<br> | |||
The poison of the Honey Bee<br> | |||
Is the Artists Jealousy<br> | |||
The Princes Robes & Beggars Rags<br> | |||
Are Toadstools on the Misers Bags<br> | |||
A Truth thats told with bad intent<br> | |||
Beats all the Lies you can invent<br> | |||
It is right it should be so<br> | |||
Man was made for Joy & Woe<br> | |||
And when this we rightly know<br> | |||
Thro the World we safely go<br> | |||
Joy & Woe are woven fine<br> | |||
A Clothing for the soul divine<br> | |||
Under every grief & pine<br> | |||
Runs a joy with silken twine<br> | |||
The Babe is more than swadling Bands<br> | |||
Throughout all these Human Lands<br> | |||
Tools were made & Born were hands<br> | |||
Every Farmer Understands<br> | |||
Every Tear from Every Eye<br> | |||
Becomes a Babe in Eternity<br> | |||
This is caught by Females bright<br> | |||
And returnd to its own delight<br> | |||
The Bleat the Bark Bellow & Roar<br> | |||
Are Waves that Beat on Heavens Shore<br> | |||
The Babe that weeps the Rod beneath<br> | |||
Writes Revenge in realms of Death<br> | |||
The Beggars Rags fluttering in Air<br> | |||
Does to Rags the Heavens tear<br> | |||
The Soldier armd with Sword & Gun<br> | |||
Palsied strikes the Summers Sun<br> | |||
The poor Mans Farthing is worth more<br> | |||
Than all the Gold on Africs Shore<br> | |||
One Mite wrung from the Labrers hands<br> | |||
Shall buy & sell the Misers Lands<br> | |||
Or if protected from on high<br> | |||
Does that whole Nation sell & buy<br> | |||
He who mocks the Infants Faith<br> | |||
Shall be mockd in Age & Death<br> | |||
He who shall teach the Child to Doubt<br> | |||
The rotting Grave shall neer get out<br> | |||
He who respects the Infants faith<br> | |||
Triumphs over Hell & Death<br> | |||
The Childs Toys & the Old Mans Reasons<br> | |||
Are the Fruits of the Two seasons<br> | |||
The Questioner who sits so sly<br> | |||
Shall never know how to Reply<br> | |||
He who replies to words of Doubt<br> | |||
Doth put the Light of Knowledge out<br> | |||
The Strongest Poison ever known<br> | |||
Came from Caesars Laurel Crown<br> | |||
Nought can Deform the Human Race<br> | |||
Like to the Armours iron brace<br> | |||
When Gold & Gems adorn the Plow<br> | |||
To peaceful Arts shall Envy Bow<br> | |||
A Riddle or the Crickets Cry<br> | |||
Is to Doubt a fit Reply<br> | |||
The Emmets Inch & Eagles Mile<br> | |||
Make Lame Philosophy to smile<br> | |||
He who Doubts from what he sees<br> | |||
Will neer Believe do what you Please<br> | |||
If the Sun & Moon should Doubt<br> | |||
Theyd immediately Go out<br> | |||
To be in a Passion you Good may Do<br> | |||
But no Good if a Passion is in you<br> | |||
The Whore & Gambler by the State<br> | |||
Licencd build that Nations Fate<br> | |||
The Harlots cry from Street to Street<br> | |||
Shall weave Old Englands winding Sheet<br> | |||
The Winners Shout the Losers Curse<br> | |||
Dance before dead Englands Hearse<br> | |||
Every Night & every Morn<br> | |||
Some to Misery are Born<br> | |||
Every Morn and every Night<br> | |||
Some are Born to sweet delight<br> | |||
Some are Born to sweet delight<br> | |||
Some are Born to Endless Night<br> | |||
We are led to Believe a Lie<br> | |||
When we see not Thro the Eye<br> | |||
Which was Born in a Night to perish in a Night<br> | |||
When the Soul Slept in Beams of Light<br> | |||
God Appears & God is Light<br> | |||
To those poor Souls who dwell in Night<br> | |||
But does a Human Form Display<br> | |||
To those who Dwell in Realms of day<br> | |||
|note=Two events take their names directly from this poem: [[Outcry of the Hunted Hare]] and [[Heaven for Human Blood]] with its missed name A Horse Misused}} | |||
{{Poem|title=How sweet I roam'd from field to field|author=William Blake|appearance=[[Caterpillar ]]|text= | |||
How sweet I roam'd from field to field,<br> | |||
And tasted all the summer's pride,<br> | |||
'Till I the prince of love beheld,<br> | |||
Who in the sunny beams did glide!<br> | |||
<br> | |||
He shew'd me lilies for my hair,<br> | |||
And blushing roses for my brow;<br> | |||
He led me through his gardens fair,<br> | |||
Where all his golden pleasures grow.<br> | |||
<br> | |||
'''With sweet May dews my wings were wet,'''<br> | |||
'''And Phoebus fir'd my vocal rage;'''<br> | |||
'''He caught me in his silken net,'''<br> | |||
'''And shut me in his golden cage.'''<br> | |||
<br> | |||
'''He loves to sit and hear me sing,'''<br> | |||
'''Then, laughing, sports and plays with me;'''<br> | |||
'''Then stretches out my golden wing,'''<br> | |||
'''And mocks my loss of liberty.'''<br> | |||
|note=}} | |||
{{Poem|title=Infant Joy|author=William Blake|appearance=[[Before the Sun Comes Up]]|text= | |||
I have no name<br> | |||
I am but two days old.—<br> | |||
What shall I call thee?<br> | |||
I happy am<br> | |||
Joy is my name,—<br> | |||
Sweet joy befall thee!<br> | |||
Pretty joy!<br> | |||
Sweet joy but two days old,<br> | |||
Sweet joy I call thee;<br> | |||
Thou dost smile.<br> | |||
I sing the while<br> | |||
Sweet joy befall thee. | |||
|note=The second stanza of this poem appears in hex code on [[Ayane|Ayane's]] whiteboard during [[Before the Sun Comes Up]]. The first half appears next to the unknown girl with brown hair in [[Flowerchild]]}} | |||
{{Poem|title=Poison Tree|author=William Blake|appearance=[[Glued to the Sky]]|text= | |||
I was angry with my friend.<br> | |||
I told my wrath, my wrath did end.<br> | |||
I was angry with my foe:<br> | |||
I told it not, my wrath did grow.<br> | |||
<br> | |||
And I watered it in fears.<br> | |||
Night and morning with my tears:<br> | |||
And I sunned it with smiles,<br> | |||
And with soft deceitful wiles<br> | |||
<br> | |||
And it grew both day and night,<br> | |||
Till it bore an apple bright.<br> | |||
And my foe beheld it shine,<br> | |||
And he know that it was mine.<br> | |||
<br> | |||
And into my garden stole,<br> | |||
When the night had veiled the pole;<br> | |||
In the morning glad I see;<br> | |||
My foe outstretched beneath the tree.<br> | |||
|note=}} | |||
{{Poem|title=The Chimney Sweeper|author=William Blake|appearance=[[Worry Not, The Mason Jar]]|text= | |||
When my mother died I was very young,<br> | |||
And my father sold me while yet my tongue<br> | |||
Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"<br> | |||
So your chimneys I sweep & in soot I sleep.<br> | |||
<br> | |||
There's little Tom Dacre, who cried when his head<br> | |||
That curled like a lamb's back, was shaved, so I said,<br> | |||
"Hush, Tom! never mind it, for when your head's bare,<br> | |||
You know that the soot cannot spoil your white hair."<br> | |||
<br> | |||
And so he was quiet, & that very night,<br> | |||
As Tom was a-sleeping he had such a sight!<br> | |||
That thousands of sweepers, Dick, Joe, Ned, & Jack,<br> | |||
Were all of them locked up in coffins of black;<br> | |||
<br> | |||
'''And by came an Angel who had a bright key,'''<br> | |||
'''And he opened the coffins & set them all free;'''<br> | |||
'''Then down a green plain, leaping, laughing they run,'''<br> | |||
'''And wash in a river and shine in the Sun.'''<br> | |||
''''''<br> | |||
'''Then naked & white, all their bags left behind,'''<br> | |||
'''They rise upon clouds, and sport in the wind.'''<br> | |||
'''And the Angel told Tom, if he'd be a good boy,'''<br> | |||
'''He'd have God for his father & never want joy.'''<br> | |||
<br> | |||
And so Tom awoke; and we rose in the dark<br> | |||
And got with our bags & our brushes to work.<br> | |||
Though the morning was cold, Tom was happy & warm;<br> | |||
So if all do their duty, they need not fear harm.<br> | |||
|note=}} | |||
{{Poem|title=The Sick Rose|author=William Blake|appearance=[[Invisible Worm]]|text= | |||
O Rose thou art sick.<br> | |||
The invisible worm,<br> | |||
That flies in the night<br> | |||
In the howling storm:<br> | |||
<br> | |||
Has found out thy bed<br> | |||
Of crimson joy:<br> | |||
And his dark secret love<br> | |||
Does thy life destroy.<br> | |||
|note=}} | |||
{{Poem|title=The Clod and the Pebble|author=William Blake|appearance=[[The Clod and the Pebble]]|text= | |||
"Love seeketh not itself to please,<br> | |||
Nor for itself hath any care,<br> | |||
But for another gives its ease,<br> | |||
And builds a Heaven in Hell's despair."<br> | |||
<br> | |||
So sung a little Clod of Clay<br> | |||
Trodden with the cattle's feet,<br> | |||
But a Pebble of the brook<br> | |||
Warbled out these metres meet:<br> | |||
<br> | |||
Love seeketh only self to please,<br> | |||
To bind another to its delight,<br> | |||
Joys in another's loss of ease,<br> | |||
And builds a Hell in Heaven's despite.<br> | |||
|note=}} | |||
[[Category:Lessons In Love]] | [[Category:Lessons In Love]] |
Latest revision as of 20:06, 17 November 2024
“It’s disgusting. You should be ashamed. Please stop.” SPOILERS AHEAD! This page contains a lot of information in later events or versions. You may inevitably spoil yourself. |
This page holds a collection of poems that appear in full or in part in Lessons in Love.
Thanks go out to community members Bruised Reality, Silon, Kusanagi, Doc, Waterfire23, Esan, Wacknaz, and Daedalus for finding these poems and making them accessible to us.
If a poem is only featured in part, the bolded section denotes what appears in the game.
Charles Baudelaire
La Fontaine de Sang (The Fountain of Blood)
First Appearance: Bad News Bears
Il me semble parfois que mon sang coule à flots,
Ainsi qu'une fontaine aux rythmiques sanglots.
Je l'entends bien qui coule avec un long murmure,
Mais je me tâte en vain pour trouver la blessure.
À travers la cité, comme dans un champ clos,
Il s'en va, transformant les pavés en îlots,
Désaltérant la soif de chaque créature,
Et partout colorant en rouge la nature.
J'ai demandé souvent à des vins captieux
D'endormir pour un jour la terreur qui me mine;
Le vin rend l'oeil plus clair et l'oreille plus fine!
J'ai cherché dans l'amour un sommeil oublieux;
Mais l'amour n'est pour moi qu'un matelas d'aiguilles
Fait pour donner à boire à ces cruelles filles!
Edgar Allan Poe
The Happiest Day, The Happiest Hour
First Appearance: The Place She Falls Asleep At Night
The happiest day—the happiest hour
My seared and blighted heart hath known,
The highest hope of pride and power,
I feel hath flown.
Of power! said I? Yes! such I ween
But they have vanished long, alas!
The visions of my youth have been—
But let them pass.
And pride, what have I now with thee?
Another brow may ev’n inherit
The venom thou hast poured on me—
Be still my spirit!
The happiest day—the happiest hour
Mine eyes shall see—have ever seen
The brightest glance of pride and power
I feel have been:
But were that hope of pride and power
Now offered with the pain
Ev’n then I felt—that brightest hour
I would not live again:
For on its wing was dark alloy
And as it fluttered—fell
An essence—powerful to destroy
A soul that knew it well.
To the River
First Appearance: To the River
Fair river! in thy bright, clear flow
Of crystal, wandering water,
Thou art an emblem of the glow
Of beauty—the unhidden heart—
The playful maziness of art
In old Alberto’s daughter;
But when within thy wave she looks—
Which glistens then, and trembles—
Why, then, the prettiest of brooks
Her worshipper resembles;
For in my heart, as in thy stream,
Her image deeply lies—
His heart which trembles at the beam
Of her soul-searching eyes.
Emily Dickinson
A solemn thing — it was — I said
First Appearance: Eternity Until
A solemn thing — it was — I said —
A woman — white — to be —
And wear — if God should count me fit —
Her blameless mystery —
A hallowed thing — to drop a life
Into the purple well —
Too plummetless — that it return —
Eternity — until —
I pondered how the bliss would look —
And would it feel as big —
When I could take it in my hand —
As hovering — seen — through fog —
And then — the size of this “small” life —
The Sages — call it small —
Swelled — like Horizons — in my vest —
And I sneered — softly — “small”!
Softened by Time's consummate plush
First Appearance: Still Young
Softened by Time’s consummate plush,
How sleek the woe appears
That threatened childhood’s citadel
And undermined the years.
Bisected now, by bleaker griefs,
We envy the despair
That devastated childhood’s realm,
So easy to repair.
A Door just opened on a street
First Appearance: Soliloquy (Wearing Someone Else's Clothes)
A Door just opened on a street -
I - lost - was passing by -
An instant's Width of Warmth disclosed -
And Wealth - and Company.
The Door as sudden shut - And I -
I - lost - was passing by -
Lost doubly - but by contrast - most -
Informing - Misery.
John Keats
Ode to a Nightingale
First Appearance: Ode to a Marsh Warbler
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
John Masefield
Exerpts from The Everlasting Mercy
First Appearance: As The Sun Disappears
I lived in disbelief of Heaven.
I drunk, I fought, I poached, I whored,
I did despite unto the Lord.
I cursed, 'would make a man look pale,
And nineteen times I went to jail
Glimmered quick with flitting faces,
Singing anthems, singing hymns
Under carven cherubims.
Ringer Dave aloft could mark
Faces at the window dark
Crowding, crowding, row on row,
Till all the church began to glow.
The chapel glowed, the nave, the choir,
All he faces became fire
Below the eastern window high
To see Christ's star come up the sky.
Then they lifted hands and turned,
And all their lifted fingers burned,
Burned like the golden altar tallows,
Burned like a troop of God's own Hallows,
Bringing to mind the burning time
When all the bells will rock and chime
And burning saints on burning horses
Will sweep the planets from their courses
And loose the stars to burn up night.
Lord, give us eyes to bear the light.
O young men, pray to be kept whole
from bringing down a weaker soul.
Your minute's joy so meet in doin'
May be the woman's door to ruin;
The door to wandering up and down,
A painted whore with half a crown.
The bright mind fouled, the beauty gay
All eaten out and fallen away
O Christ who holds the open gate,
O Christ who drives the furrow straight,
O Christ, the plough, O Christ, the laughter
Of holy white birds flying after,
Lo, all my heart's field red and torn,
And Thou wilt bring the young green corn,
The young green corn divinely springing,
The young green corn forever singing;
And when the field is fresh and fair
Thy blessиd feet shall glitter there,
And we will walk the weeded field,
And tell the holden harvests's yield,
The corn that makes the holy bread
By which the soul of man is fed,
The holy bread, the food unpriced,
Thy everlasting mercy, Christ
Note: The Everlasting Mercy is a very long poem, so we have only included the excerpts which appear in Lessons in Love. The full text can be found here
Li-Young Lee
From Blossoms
First Appearance: Impossible Blossoms
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
Persimmons
First Appearance: Cutting Through Cocoons
In sixth grade Mrs. Walker
slapped the back of my head
and made me stand in the corner
for not knowing the difference
between persimmon and precision.
How to choose
persimmons. This is precision.
Ripe ones are soft and brown-spotted.
Sniff the bottoms. The sweet one
will be fragrant. How to eat:
put the knife away, lay down newspaper.
Peel the skin tenderly, not to tear the meat.
Chew the skin, suck it,
and swallow. Now, eat
the meat of the fruit,
so sweet,
all of it, to the heart.
Donna undresses, her stomach is white.
In the yard, dewy and shivering
with crickets, we lie naked,
face-up, face-down.
I teach her Chinese.
Crickets: chiu chiu. Dew: I’ve forgotten.
Naked: I’ve forgotten.
Ni, wo: you and me.
I part her legs,
remember to tell her
she is beautiful as the moon.
Other words
that got me into trouble were
fight and fright, wren and yarn.
Fight was what I did when I was frightened,
Fright was what I felt when I was fighting.
Wrens are small, plain birds,
yarn is what one knits with.
Wrens are soft as yarn.
My mother made birds out of yarn.
I loved to watch her tie the stuff;
a bird, a rabbit, a wee man.
Mrs. Walker brought a persimmon to class
and cut it up
so everyone could taste
a Chinese apple. Knowing
it wasn’t ripe or sweet, I didn’t eat
but watched the other faces.
My mother said every persimmon has a sun
inside, something golden, glowing,
warm as my face.
Once, in the cellar, I found two wrapped in newspaper,
forgotten and not yet ripe.
I took them and set both on my bedroom windowsill,
where each morning a cardinal
sang, The sun, the sun.
Finally understanding
he was going blind,
my father sat up all one night
waiting for a song, a ghost.
I gave him the persimmons,
swelled, heavy as sadness,
and sweet as love.
This year, in the muddy lighting
of my parents’ cellar, I rummage, looking
for something I lost.
My father sits on the tired, wooden stairs,
black cane between his knees,
hand over hand, gripping the handle.
He’s so happy that I’ve come home.
I ask how his eyes are, a stupid question.
All gone, he answers.
Under some blankets, I find a box.
Inside the box I find three scrolls.
I sit beside him and untie
three paintings by my father:
Hibiscus leaf and a white flower.
Two cats preening.
Two persimmons, so full they want to drop from the cloth.
He raises both hands to touch the cloth,
asks, Which is this?
This is persimmons, Father.
Oh, the feel of the wolftail on the silk,
the strength, the tense
precision in the wrist.
I painted them hundreds of times
eyes closed. These I painted blind.
Some things never leave a person:
scent of the hair of one you love,
the texture of persimmons,
in your palm, the ripe weight.
My Indigo
First Appearance: My Indigo (The Blue Death)
It's late. I've come
to find the flower which blossoms
like a saint dying upside down
The rose won't do, nor the iris.
I've come to find the moody one, the shy one,
downcast, grave, and isolated.
Now, blackness gathers in the grass,
and I am on my hands and knees.
What is its name?
Little sister, my indigo,
my secret, vaginal and sweet, you unfurl yourself shamelessly
toward the ground.
You burn. You live
a while in two worlds at once.
Mark Van Doren
Possession
First Appearance: It Comes To Claim Us All
Because this ground is mine it presses firmer
And softer up against my morning feet.
The grass ever is whispering as I walk.
The trees lean a little, and the spring,
There at the head of the road, leaps out to meet me.
Some afternoons I think these hundred acres,
Knowing I lie on the mountainside in the sun,
Curl over as if to fold me in; then, rising,
I smile and go, and they are level again.
But all of this is nothing to the night
I climbed that path and came into my own.
The darkness—my own darkness—was a warm
Still wind upon my face, until I reached
The topmost meadow, open to the sky.
One step, and I stood naked among stars—
White stars, that clustered closer and larger down;
Closer, until they entered my two eyes. . . .
When, deep inside, they burst without a sound.
Mary Frye
Do Not Stand at My Grave and Weep
First Appearance: Nice Weather We're Having
Do not stand at my grave and weep;
I am not there, I do not sleep.
I am a thousand winds that blow.
I am the softly falling snow.
I am the gentle showers of rain.
I am the fields of ripening grain.
I am the morning hush.
I am the graceful rush
of beautiful birds in circling flight.
I am the star shine of the night.
I am the flowers that bloom.
I am in a quiet room.
I am the birds that sing.
I am in each lovely thing.
Do not stand at my grave and cry;
I am not there. I did not die.
Selebus
The following titles are conjectural ones assigned by the community, not the official names given by Selebus.
A lie, alive, alone I
First Appearance: Halfway Down the Wishing Well
A lie, alive, alone. This is someone else’s poem.
I stitched the words together from the comfort of a melting home.
In death her mem’ry fades. In the sun it shines anew.
But the beating heart within her chest spills blood atop his holy pew.
Can you hear it? Can you smell? Are you halfway down the wishing well?
Is it dark and damp and wrong and bad? Remind you of a former Hell?
I fuck the pussy hard. I fuck it with my willy.
I fuck it fuck it fuck I’m fucking pussy fuck fuck going silly.
Zooble dooble dop dop pop ploor beep borp booble doop.
Boloobleooble oopy dop bogooble zoopy boop.
Just wanna make my wiener strong so Mommy will be proud.
If I fuck another mommy Mommy frowns and says I’m not allowed.
I’m confused though cause this isn’t love. I’m stuck under a spell.
It’s not my heart that does it. It’s my wiener and it does it well.
Gotta make the pussy cum. Gotta make her cry.
Then later I’ll go home and think about how much I want to die.
A lie, alive, alone II
First Appearance: Halfway Down the Wishing Well
A lie, alive, alone. This is someone else’s home.
I stitched these words together so they’d form another happy poem.
I wish you were there with me — in the darkness where we slept.
“But instead you had to leave us,” quoth the creaking of the seventh step.
As sweet as nectar
First Appearance: Clam's Tongue
as sweet as nectar,
as cold as snow;
one kind and caring,
one lost and low.
reach out and take it,
feel it and know;
if you can’t feel your hands
you can’t ever let go
Carry on my name
First Appearance: I Will Deliver You to the Fireflies
Carry on my name; as if it is your own.
If I can live inside of you, we'll never be alone.
So when I'm gone, remove your heart.
I'll give you mine instead.
And when that's done, remove your brain-
Let me into your head.
The world won't understand us- that's why we lock the doors.
That's why we board the windows — lay our blankets on the floor.
The softest of materials, half a step from what's ethereal,
My love for you's bacterial! I've never wanted more!
Than to be the one you see at night.
You're my Edgar.
Love, Lenore.
Circles
First Appearance: Eighth Eye of the Wolf Spider
Circle one
The passing glance
The color of her eyes
Circle two
The daylight's glow
The paleness of her thighs
Circle three
The reckoning
The absence of her voice
Circle four
The killing sleep
You've already made your choice
Circle five
The unseen eye
A friend a lovers touch
Circle six
The rabbits kick
I love you so damn much
Circle seven
Passenger
The attic light still shines
Circle eight
You miss her
But you can't explain quite why
Flowers, flowers, all around us
First Appearance: Again, I Can't Recall
Flowers, flowers, all around us; to grow and then decay-
To parallel our livelihoods and mirror passing days.
When you speak into that mirror, what is it you will say?
Are you excited for the future? Or do you wish it all away?
To heart, my friends and family! For these mirrors are just jokes!
The flowers reek of simile! The metaphors of oak!
Reverse! Return! Repeat your words! If you keep them in, you'll choke.
Press the flowers to your nose; breathe them in like smoke.
Note: This poem is signed as The girl who cannot breathe
Good Boy
First Appearance: Good Boy
Today, I am going to be a good boy.
I buckle my belt and tie both my shoes, cause that's what all the good boys do.
I put on my backpack and fasten my gloves, cause that is what a good boy does.
I shoveled the driveway and vacuumed the floor. I folded my laundry, I did all my chores.
I washed the whole house, I cleaned all our rooms. I took out the garbage, pulled hair off the brooms.
I fed both the dogs so they wouldn't bark. Can I go outside now? I'll be home before dark.
I'll look both ways when I'm crossing the street. I'll eat all my veggies and say not to sweets.
I'll take off my pants, stay quiet for you. I won't tell a soul. I promise it's true.
I'm such a good boy, so why can't I play? Why can't I have friends? I'll do what you say.
I'm such a good boy. Obedient too. So easy to touch, so easy to use.
So easy to break, yet you always play rough. I'm such a good boy. Can't that be enough?
I buckle my belt and tie both my shoes, cause that's what all the good boys do.
I put on my backpack and keep my mouth shut. Then saunter to school with a pain in my gut.
Today, I am going to be a good boy.
Mothers Milk I
First Appearance: Mother's Milk
there's nothing quite like mother's milk
i drink it every day
from the moment the sun wakes me up
until when it goes away
when the moon is bright, i drink again
and then she drinks me too
i'm happy to drink mother's milk
i'm happy here with you
Mothers Milk II
First Appearance: Mother's Milk
there's nothing quite like happiness
there's nothing here at all
from the moment the sun wakes me up
until the moment that it falls
when the moon is bright, i cry
i listen to her moan
all i want is mother's milk
i don't want to be alone
Mothers Milk III
First Appearance: Mother's Milk
i heard that soon a baby comes
i wonder if she'll like me
i wonder if she'll like me
i wonder if she'll like me
poems should rhyme and so should i
what am i doing here
i just want to dsvkcjhgfsdfsf
i wonder if she'll like me
Mothers Milk IV
First Appearance: Mother's Milk
there is no you in you and me
but there is me in you
and what that means is you and he
dont fit, and yet i do
what i can see is you and me
should mean the same, its true
but if youre you and i cant see
what i am, then im who?
Mothers Milk V
First Appearance: Mother's Milk
sometimes it's like my mind is broken
at others, like i'm free
my ears are home to hummingbirds
my face, a lonely key
a key to what, i do not know
i prob'ly never will
what i know is i love mother's milk
i won't ever let it spill
Mudwater
First Appearance: A Thousand Years
I said to thee, oh demons wait
And spread my tired wings
And throwing stones you'll surely make
A mess of brighter things.
Give us this day our daily bread
And drink his holy blood
For when tomorrow comes you'll see
The dirt will turn to mud.
Note: This poem is transcribed from the audio file mudwater.mp3. The grammar and format here is the editor's interpritation, not Selebus's writing
My Life With You
First Appearance: My Life With You
A room full of sunshine, blacked out by a sheet.
It was there you and I were destined to meet.
Not for the first time, you’ve been there from the start.
But that room full of sunshine filled a hole in my heart.
We both couldn’t see it, but we know it was there.
So with holes in our clothing and knots in our hair-
We’d get out of bed for just minutes each day.
We didn’t speak much, there was nothing to say.
But one day that changed and the dark disappeared.
We took down that sheet and we faced what we feared.
You became my world, since the old one was gone.
Then one day it hit me, like I'd known all along.
I guess it sounds silly, but I know it's true.
A room full of sunshine - that's my life with you.
Note: In the story of Lessons in Love, this poem is authored by Ami about Sensei
Neon Heart
First Appearance: Neon Heart (If I Close My Eyes)
mistakes, mistakes
o, neon heart,
the way you make me glow.
i can not fathom
life apart
from what you’ve helped me grow
Poetry Contest: Ami
First Appearance: Pseudonym
Summer. Winter. Paradox. No autumn, nor a spring;
At night, I watch the sakura peel themselves off thick, red strings.
Why can I see what isn’t there? Why can’t I feel the sting?
Of the town that took the world away and the evil song it sings.
Note: In the story of Lessons in Love, this poem Ami's contribution to the poetry contest
Poetry Contest: Futaba
First Appearance: Pseudonym
The town that I grew up in;
Where I still grow today.
Where skies are blue and grass is green and everything’s okay.
The town where all my friends live;
And where I fell in love.
It may not be exciting, but it’s the only town I love.
Note: In the story of Lessons in Love, this poem Futaba's contribution to the poetry contest
Poetry Contest: Noriko
First Appearance: Pseudonym
Noriko's poem:
No blindeyes bloom on paths I walk, but I found a shepherd’s purse;
With pockets full of buttercups, I returned it to the earth.
Now in its place, a pasture- cross the homes of hyacinth.
Near a suckling clover fountain and its bitter orange drip.
Note: In the story of Lessons in Love, this poem Noriko's contribution to the poetry contest
poempoem
First Appearance: To Catch Me If I Fall
Write a poem about a poem
when you don't know what to write.
When the thoughts get caught inside your head-
when they keep you up at night.
It's okay if it means nothing.
In fact, it won't most of the time.
Just put something on paper.
It doesn't even have to rhyme.
(But it's better if it does.)
Redbirds bleed and blue ones die
First Appearance: Young Cardinals
Redbirds bleed and blue ones die — that's the nature of this world of mine.
The green ones sing, the yellows cry — yet still the redbirds bleed. But why?
I close my book. Breathe out a sigh. Then pierce the glass with both my eyes.
Approach the window, scan the sky — beneath the clouds, above the pines.
The blue ones fall as the red ones rise. Don't ask me how, I won't reply.
I can't tell you why the cardinals fly. I can't tell you why the blues won't try.
I can't tell you anything as I-
I hate this fucking world of mine.
I hate the birds. I hate the sky. I hate paper, pencils, crooked lines.
These are reasons why I sometimes try imagining that I am blind.
I know there's beauty here.
There has to be.
It's just way too hard to find.
Redbirds bleed and blue ones die — that's the nature of this world of mine.
There's no song to sing nor hymn to cry — just an aching heart and wat'ry eyes.
I hate love and lust and God and lies. I hate hummingbirds. The word "Goodbye."
But if you'd ask me now, beneath this sky-
I could tell you why the cardinals fly.
It's Pouring
First Appearance: Imaginary Veins
At night, I reach the end of days - but only until morning.
Every time I close my eyes, I die - but I can't sleep because it's pouring.
So as the clouds conceal the sun and the sky continues storming;
I'll tell myself I love you - for if I don't, it gets too boring.
~ Me, who's right behind you
Regardless of the nightingale
First Appearance: Girls Just Want to Have Fun
Regardless of the nightingale,
and the songs it wants to sing -
I'm content with just my picture book.
I'm content with simple things.
The sky, the moon, the rocks, the sand.
The clouds above my head.
The scent of chamomile and mint
The creaking of my bed.
It used to hurt, but now it won't -
At least that's what I've been told.
I'm content with being loved like this.
I'm mature for __ years old.
Note: This poem is signed by the Girl With BROKEN Wings
Roses are red, my eyes are blue
First Appearance: Hyzenthlay
Roses are red, my eyes are blue.
The grass is all greenish, and you're the real you!
The real you is awesome! Just a little confused.
But how could you not be when I’m confused too?
Spiderbug
First Appearance: Wither
one for me and one for you,
the wonders of what god can do
a different one for each of us
we play the same, but struggle thus.
spiders! bugs! and arthropods!
which ones squirm and which one's god,
many? some? none? a few?
i can't help but fall in love with you.
Note: This poem is signed as The girl who cannot breathe
The dawning of a new day dies I
First Appearance: Hyzenthlay
The dawning of a new day dies, but an ending has begun.
And with the blue sky gone we'll see another setting sun.
It's orange and...all red or something. It's glowing and it's...fun?
Words go here, then more words here. My stupid poem is done.
The dawning of a new day dies II
First Appearance: Eyes Closed, Chin Up
The dawning of a new day dies, but an ending has begun.
The one who spoke these words before was eaten by the sun.
That's the millionth hint I've given you — this next line is the last one.
There's a field not far from here I love in the web that God has spun.
There will be no river, nor tears at all
First Appearance: Voice of Vibration
There will be no river, nor tears at all-
For it hurts the most before the fall.
Then afterwards, with broken bones-
And flesh untucked from dermal homes-
The sky is where we find salvation.
Our final sight and last sensation.
As eyes roll back, and respiration-
Contorts our lungs in expiration-
We’ll rely on half-unpacked narration
And take shelter in these new vibrations.
Note: In the story of Lessons in Love, this poem is authored by Sensei following a conversation with Miku
what was it 'bout the soft sand
First Appearance: Episcopalis: Pickled Plums & Polyrhythmic Psalms
what was it 'bout the soft sand, and its interrupted sleep
that woke you from your dying dreams and brought you here to me?
do you wish to speak in solemn tones? have you torn your wilted tongues?
are you vulnerable, my child? are you simply seeking fun?
i will absolve you of toxicity and sin, the spiral stops.
just place on hand upon my chest, the other on the clock.
if you think the world's left you behind, i implore you think again.
for it isn't until time is gone that you, my child;
begin.
Note: From the image ifoundgodunderthewing.webp.
Wrap yourself in plastic
First Appearance: Pluto Was Never Really a Planet
wrap yourself in plastic
wrap yourself in me
swallowing a padlock
then swallowing the key
press the needle to your lips
sewn tight so you can’t shout
forgetting it was you who did this
when you opened up your mouth
seal yourself in silicone
seal yourself in sorrow
because what’s the point of living
when the world you love is hollow
press your face against the glass
feel the chill of doubt
your reflection feels what you feel
that’s why it won’t come out
dear god.
what must I do to make you love
me?
Note: From the yayapoemX.png series of images. Not available through Event Replay.
I'll be Besides You Always
First Appearance: Fairytale (The End Until Tomorrow)
When the night comes to an end, just know -
I'll be beside you always.
Through rain and fog, in heat and snow -
At the end of every hallway.
O'er these dark, unventured hills we climb -
With canisters of light.
The dawning of a new days dies.
And it's here we say goodnight.
There Will be no River
First Appearance: Voice of Vibration
There will be no river, nor tears at all -
For it hurts the most *before* the fall.
Then afterwards, with broken bones -
And flesh untucked from dermal homes-
The sky is where we find salvation.
Out final sight and last sensation.
As eyes roll back, and respiration -
Contorts ourn lungs in exporation -
We'll rely on half-unpacked narration
And take shelter in these new vibrations.
This one was me. [Sensei]
But I wish that it wasn't.
So I'll forget it immediately.
Some Doors Never Open
First Appearance: Essence of Eiderdown
[Top Left]
opaque o pal o passenger
my arrow's in your heart
the second you remove it
is the moment we restart
[Middle Right]
forbidden glass and plastic wrap
that cleaning fluid smell
that seeps into your sinuses
is it heaven? is it hell?
[Bottom Left]
seven six five four three two
one two three four five six
nine eight seven eight and four
two four nine seven six
[Bottom Right]
praying mantis, folded hands,
the greenbug turns to brown
the brownbug turns to turpentine
its smile starts to frown
[Bottom Middle]
some doors never open
Note: From the image mikudoortime.webp.
Seasons Greetings Blessed One
First Appearance: The End of the World
Seasons greetings blessed one
This is when it hurts the most
Your namesake shift in worlds returned
Seven hands without a host
So Funny is the Mockingbird
First Appearance: The Collector
So funny is the mockingbird, the way it mocks you so.
The way it commandeers your voice and shows you all you need to know.
But when that mockingbird don't sing - when you can't find your voice.
Just scream until your throat goes numb and drown your sorrows in the noise.
Hydrangea Fields
First Appearance: The Collector
Hydrangea fields and hummingbirds -
Keys without a lock to hide in
The taste of mother's milk turned sour -
And a messy room you should have died in
Your teeth will melt once more
Learn to use your hands
Your third great love has wilted
Note: From the image hydangreafield.webp
A Flicker in the Attic Light
First Appearance: The Collector
One goes out and one comes in,
I wonder why that is?
There's a flicker in the attic light,
I think it might be his.
follow me
to be a better you
Note: From the image hydrangeafield2.web
Home is Where the House is
First Appearance: Not the Nightingale
Home is where the house is, but the house won't let me in.
That's FINE because I KEPT a second KEY inside her skin}
I heard there was a secret chord, the secret's spread to thin -
Her tongue still tastes like arsenic//her bones are in the bin
In Regards to the Peony
First Appearance: In Regard to the Peony
The peony sleeps in its bed of unrest - 'neath the fireflies' wings and their humble caress
The end of an onset - the base of a nest - in a future so fertile; one loss acquiesced.
The plucking of feathers - stems torn from the soil. The egg might be old, but who says it has spoiled?
To drink in its yolk; to bathe in its oil - makes this little girl squeal, lest the garden recoils.
Christmas Day
First Appearance: Goodnight Moon
It's the 25th at 2:00 AM - I just heard Santa leave.
I can't wait to see my gifts this year. I've been up since Christmas Eve.
Mom says to stay put in my room - Dad says I must be good.
But good girls get excited too. I wish they understood -
How badly that I want those gifts. How wondrous they must be -
I didn't even make a list this year. Santa, what's in store for me?
A pony or a peony? A dollhouse or a doll?
Maybe Santa gave me all of them? Maybe Rudolph's in the hall?
I can't help but break the rules this time. I'm so gleeful, I can't wait.
So I throw open my bedroom door! Sprint down the stairs, but...
It's too late.
There's nothing near the Christmas tree, but that fat man drank the milk.
He ate my homemade cookies and spilled crumbs across the Christmas silk.
Now I'm grounded and in trouble. Mom is angry, Dad is pissed.
And I can't help but sit and wonder what would happen if I made a list.
If I turned the cuckoo backward, would it cry again at midnight?
Would Santa break into our home? Should I turn back on the light?
I'm a good girl every other day. It's just one rule I defied.
So why should *I* be punished while the bad girls play outside?
With their peonies and ponies. Their dollhouses and dolls.
I watch them from my window. Footsteps echo down the hall -
I think it's Santa here again. No, I think it might be God.
He mocks me from behind the door, but I see through his facade.
As it turns out, Santa isn't real. I've accepted nothing is.
That some girls just draw the short straw due to helplessness or haplessness.
I'm giving up on Christmas. I'm giving up on fate.
Starting now, I'll make my own gifts. Starting now, I'll...
"Oh, I forgot to come up with a rhyme for the last line."
On the Way to Twenty-Four
First Appearance: You & Me Against the World
When the morning comes, you'll feel much better. Every day you grow some more.
A perfect season, perfect weather -
On the way to twenty-four.
I Found a Dying Parrot
First Appearance: Weak Man, Weak Boy
I found a dying parrot, I locked him in a cage.
My intention was to free him just before he'd come of age.
But I grew a liking to that bird. The way he sung was sweet.
Now I give him seeds and water, and he makes me feel complete.
I'm not allowed to keep a bird here.
There are rules against that sort of thing.
But it's fun to break the rules sometimes,
It's fun to chirp, it's fun to sing.
Give us this day our daily bread, and I'll give you back your home.
Because when that mockingbird don't mock -
All you have are hollow bones.
- The Girl Who Cannot Breathe.
Note: From the image sanaisbetternow1.webp
What Skills I Need to Fly
First Appearance: The Motherland Calls!
For a week now, I've been wondering - what skills I need to fly.
If hope alone can grant me wings - if concern alone is fine.
But the problem with this dream of mine's not the chance that I might die -
It's the fact that I might hurt you.
It's the chance that you might cry.
Who raps upon my chamber door? Who crawls across these marble floors?
Who scratches at my coffin's lid and mocks the raven's "nevermore?"
I hear things, Boy. I'm scared. I'm yours!
But you're not here when I need you.
There's no glow to make me pure.
They're here again. I hear them. Those endless, violent knocks -
It's been three weeks since I've slept, I think - this dead bird never mocks.
But the blues and reds still fly, I think. I think the door's unlocked.
I think I think I'm losing it. I think I think I'm lost.
Arakiel's silhouette - Azrael's old cot>
Daniel's misbegotten snake - Etinsib Ziwa's war/Nbat!
Harmozel and Hofniel* What Gossamer forgot}
I think my light is burning out.
I fear my mind will rot.
Cicada Songs and Lemon Drops
First Appearance: Miraculous Human-Glue
Cicada songs and lemon drops - a shiny coin for choco-pops.
A puddle near that old oak tree - the things that you would do to me.
Play make-believe. Play hide and seek. Play hopscotch during Golden Week.
That hamster wheel we bought last year - a picture book of grazing deer.
And a pile of rocks that does naught but make me wish that I was home.
With tickle-fights and bug-filled nets - we'd stare up at that spring sunset.
Think "This is great!" or "Wonderful!" or "Splendid view!" or "Colorful!"
Or "I think I'm sad" or "My head still hurts" or "I'm really sad" or "My stomach hurts."
We used to think so many things. We had so many songs to sing.
But now we rarely open our mouths because our teeth keep dripping onto our candy bars.
Such better days, I miss our youth! I miss all of my time with you!
I miss falling down. Miss bandaged knees. Miss fireflies and centipedes.
Miss the way you looked when you'd look at me. Miss the way I looked when I couldn't see.
I can do that now. All the light's grown in. But my youth is gone, I'm spread too thin.
And I keep seeing things that I know aren't actually there but they feel like they're there and I've begun to pull my hair out.
Cherry-scented soap and pine - a silly tune to pass the time.
A paddleboat through River Styx - a skeleton! A house with bricks!
A knife wound in your upper thigh - I'll press down hard so you won't cry.
It's soup again. It's dinner time. I'll hold your hand if you hold mine.
I don't know how much longer I can keep having these dreams of our youth without sweetening my midnight tea with arsenic.
Some nights I think it would make them last forever.
Some nights I think I'm being watched.
- Girl
Summer Glow
First Appearance: Miraculous Human-Glue
Springing forward, summer glow - autumn's kiss in winter snow.
The paths we take, the shoes we wear - those tattered soles in grave despair.
I once felt death was make-believe. I once felt love, then watched it leave.
Now floorboards creak and call for me - but you won't speak nor talk to me.
And that's why I'll never sleep alone.
We're close than you know, Boy.
This house is not your home.
Hell Doth Repent
First Appearance: Happy
Heaven-sent, hell doth repent
the evils in its home.
A million nights, but just one spent-
Impossibly alone.
A Pep in my Step
First Appearance: The Clod and the Pebble
There's a pep in my step as I step up the steps. And in other news, the sky is blue. Just this time there's a smile too.
The smile is red, my girlfriend is dead, and for lack of more rhyming, GET OUT OF MY HEAD.
The Ones you Keep Inside
First Appearance: Priestess of Fallen Snow
Spiderwebs. A calendar. The ones you keep inside.
A god. A bucket. Heresy. A man who almost died.
A ghost. A moon. She's lying. There's nowhere we can hide.
We're done. We're doomed. We're dying. The well has nearly dried.
[The rest of it is in hex, which I have translated.]
When he shall die, take him and cut him into little stars
And he will make the face of Heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun
[LINE BREAK]
Go unto them and make them believe, but make them trust you first
Cursed be those gentiles lest they destroy the world we have built
From atop this roof I speak to you, o messenger. O child.
You are permanent and perfect. I am rabid and reviled.
The Hallway of Life
First Appearance: Every Day Birds (In Nothing But Blood)
The hallway of life is door upon door.
Each door has a doorknob. Each opens to secrets.
One secret. One doorknob.
Daily, I choose a doorway to walk through.
At times I'm confused for I know that each door is a new day to live, a new way to struggle, a new way to give.
I stand in this hall lined with doors, doors galore, knowing each doorway will open to more -
Seeking the one that will make me feel free -
And turning a doorknob to find a new me...
Imagine
First Appearance: The One With A Happy Ending
imagine what it's like to have your hands and feet combined
imagine how it feels to place your handfoothand in mine
imagine how the stars move
imagine how they burn
imagine if we dogfoot and the foot and the handfoot churn
Note: From the image campingtime1.webp
What Makes a Girl
First Appearance: Tree Village (The Color Machine)
WHAT MAKES A GIRL A GIRL AND NEVER SOMEONE'S GOD
WHAT MAKES THE DIRT THE DIRT OR MUD BUT NEVER SOMEONE'S SOD
WHAT MAKES A SPECIAL WISH FOR WHAT WILL NEVER COME TO LIGHT
WHAT MAKES THE LIGHT A LIGHT AND NOT A WISH FOR ONE MORE NIGHT
BEHOLDEN TO A BETTER BOY OR HALF A YEAR AT MOST
ABOARD INSIDE THE ATTIC HIDES A PINKY FINGER'S GHOST
Note: From the imagemacaron5.png
Pick a Pack of Pickled Peppers
First Appearance: What's in the Pot?
pick a pack of pickled peppers pedophilic park
jesus christ is on the cross and noah's on the ark
in different times and places god would pull us apart
so pick a pack of pickled peppers ~ lock me in the dark
Another Moment Squandered
First Appearance: The Art of Drowning
aNOTHER MOMENT SQUANDERED
bY THE BONES INSIDE YOUR HANDS
hOW THE THINGS THAT YOU SHOULD NEVER TOUCH
aRE THE ONES THAT HE DEMANDS
nEXT TIME IT WILL BE YOUR CHOICE
tHE FALL HAS JUST BEGUN
fOR EVEN WHEN THESE FLOWERS BLOOM
tHEY DON'T FOLLOW THE SUN
O, Terrible Danger
First Appearance: Transpacific Sadness Symposium I: DEN OF THE MOLE RAT
O, terrible danger. O, big penis sex. O, world and its whirlpool. O, mole ratted necks.
O, poetry, pottery, lottery, Shrek. O, rhyming - O, timing - On Dasher, On Deck!
Envelop Me
First Appearance: Meet Me At Our Spot
Blackest night, envelop me -
Protect me from my dreams
For in them, I hear nothing
Not the cherub, nor its screams
Silver Kings
First Appearance: The Silver King
I've never longed for silken things, nor greener grass or wedding rings.
Just sex and sleep and songs to sing; a golden crown for silver kings.
For on their heads, each strand of hair/each fleck of skin on royal chairs
does naught but argue 'gainst repair of better things in worsened care.
To doubt is not to match the tone of songbirds, strong birds, murdered crows-
The point is to reflect and hone the brilliance in each broken home.
I dreamt a dream again last night; against that never-ending light
Each bright and blinding flash to spite these eyes all devoid of sight-
And in that dream, as pure as snow. As beautiful as autumn's glow
A boy appeared from down below, with skin as smooth as fine merlot-
I spread my arms and then my legs. I welcomed him, he found my eggs
But at this point I must separate myself from the scheme that I've created because I-
...
Ahhh
Mother won't like this one bit.
There is No You in You and Me
First Appearance: Transpacific Sadness Symposium II: SISTER SOFTSKIN
There is no you in you and me but there is me in you
This normally ends differently, but different isn't true
So lie until your tongue falls off and scream your favorite song
Then fill your hands with broken glass and squeeze until they're gone
Here Forever, Special Girl
First Appearance: Transpacific Sadness Symposium II: SISTER SOFTSKIN
Here forever, special girl! No matter what you do!
You can change yourself a million times, but you'll never feel like you!
Each time your fingers find your mouth, you give away a piece -
Of sanity! Humanity! A chance to be complete!
X Marks the Praetor
First Appearance: Transpacific Sadness Symposium II: SISTER SOFTSKIN
X marks the praetor - a letter of love.
The most shameful of angels in gardens above.
You know the way out, you can still be complete
You're a fat fucking bitch but I'd lick both your feet.
O Sister Softskin
First Appearance: Transpacific Sadness Symposium II: SISTER SOFTSKIN
peel the flesh, o sister softskin
your words all dressed in black
give us this day our daily bread
so we can give yours back
heed the call, o sister softskin
don't drink yourself to death
just close your eyes and count to ten
before you take a breath
a lie
a lie
align
Note: From the images sisftersoft1.webp, sistersoft3.webp, sistersoft4.webp
Our Savior, Heavyheart
First Appearance: Wake Me Up When It's Over
Stay our savior, heavyheart - cherished be your tongue
The worm that lives inside your mouth and suffocates the young
O' Infinite Spring
First Appearance: Transpacific Sadness Symposium III: TWO-HEADED HORSE
O, infinite spring - your song ever sweet. How intimate, poignant, and true.
How it blurs every line, every thought that we think - and brings me right back here to you.
Flowers Merely Flower
First Appearance: Dark White (Pretty Joy)
Because it has lived its life intensely
the parched grass still attracts the gaze of passers-by.
The flowers merely flower,
and they do this as well as they can
Note: Appears behind Osako while she is reading out To The River by Edgar Allen Poe
O' Slanted Door
First Appearance: A Life I Never Wanted
slanted door, o slanted door - angled like the dutch
a lock to keep the thieves away, a hole to see as such
so when the knockingbird does knock, i hope that you'll be smart
for open doors are dangerous, like girls with broken hearts
In The Name of Dog
First Appearance: Feed Me to the Farm
if it's in the name of dog
if it's locked inside a chest
it's okay if frog boy opens it
it's a little doggy test
Feed Me to the Farm
First Appearance: Feed Me to the Farm
Chinami - Feed me to the Farm
Here I sit in shrink wrap, left alone to rot.
To suffocate and die before I'm stuffed into a pot.
Today, my bones will be soup. My skin will be broth.
My hair will be the garnish and my cum will be the froth -
That coats the throats of goats and lambs, they'll feed me to the farm.
But I've yet to please the FDA, so there's a chance I might bring harm -
Disease/a plague/ a parasite - the maddest of all cows.
Never once have I been human, never once have I been proud.
To be what she has made of me. Ingredients, at best.
A speciment - this mess I'm in won't ever let me rest.
T is for Time
First Appearance: T Is For Time (Trees & Threes)
If T is for time or trees and threes then maybe my life isn't mine.
If Heaven and Hell and the space in between can't be seen then I think I'll be fine.
I won't ever get old, I won't ever die young, I'll do nothing but live and let love.
But when living and loving are things I don't know -
What exactly does my life consist of?
Hidden Smiles in Paper Sleeves
First Appearance: I Really Want to Stay at Your House
PLEASE UNWIND YOUR LATEST LEAVES
HIDDEN SMILES IN PAPER SLEEVES
A GOD AMONG THE RIGHTFUL THIEVES
WHO LISTENS WHEN THE FOREST WONT
WHO LEAPS THE LOGS WHEN THE LEAPERS DONT
WHO SPEAKS TO ME INSIDE MY HOME
WHO CRIES IN THAT CONCERNING TONE
THE GIRL WHO IS A GIRL WHO IS A GIRL WHO IS INSANE
Note: Comes from picturepicture.webp
Tree Tickler
First Appearance: Transpacific Sadness Symposium III: TWO-HEADED HORSE
They call me the tree tickler. My fingers are perfect for that sort of thing.
Perhaps you’d like to feel their sting?
I’m as real as rhubarb. I come bearing gifts.
A palace, a portal, five bundles of sticks.
Won’t you enter my alley? I think we’d be fast friends.
Fingers Press Her Temple
First Appearance: Transpacific Sadness Symposium III: TWO-HEADED HORSE
Her finger presses her temple presses her temple presses her temple because that sort of thing helps with headaches.
Things that don’t belong suddenly do. And things that do suddenly don’t.
Remember the rabbits. Remember his chest. Remember his heartbeat and and and remember the REST SANA should be in BED
A Medicine that Cures
First Appearance: Transpacific Sadness Symposium III: TWO-HEADED HORSE
I have just the thing for that. A medicine that cures. Every sorrowful thought you ever did think, it’s a drink to make you pure.
Empty Heart Appeal
First Appearance: Empty Heart Appeal
Empty hearts are hard to break. That's something I have learned-
On walks down to my mother's lake. mistakes are made, not earned.
Through joy and pleasure, wind and rain, this fear of something new-
I won't ever see the point of pain, nor love received from you.
I Wish That They Would Hurt Me
First Appearance: ELATION PROTOCOL 99: NOODLEFOOT DISCO
Stick and stones may break my bones; I wish that they would hurt me.
He strokes my hair when we're alone but he doesn't deserve me-
HIS HANDS SO LARGE THEY SWALLOW MINE, I SWALLOW TOO JUST WATCH. HE TOUCHES ME, HE TOUCHES THEM, HE MAKES US CLEAN HIS CROTCH.
A POEM, A POEM, A PARASITE. I HEAR THE VOICE OF GOD. SIX MILLION WHISPERS DEEPER AND I'M STILL THE PEBBLE'S CLOD
BELIEVING ISN'T SEEING SINCE BELIEVEING ISN'T REAL. AND SEEING'S NOT BELIEVING 'TILL YOU'VE SEEN YOURSELF IN HEELS.
NO MATTER HOW YOU CUT IT AND NO MATTER HOW IT BLEEDS, YOU WILL ALWAYS BE THE NOODLE GIRL
BECAUSE THATS WHAT WE AGREED
Sticks and stones may break my bones//it's time for your first h-scene
A beautiful scene, is it not? To see the things that you forgot. But halt before His crime's alleged! The sharpening of a Gallow's Edge. The fear that pushed you from that ledge-
Time to Build the Fifth Arc
First Appearance: Soon (Another Nightmare)
So sit they did but break they didn't! At least not in a bad way. Because breaking can be good sometimes! This doesn't have to be a sad day
Relax and breath and celebrate! Friendship makes the dream work. Then team work makes the other thing and...something makes the cream...jerk.
It's rhyming time! It's time to rhyme! It's time to build a fifth arc! The third is full of bullet holes, the fourth is made of pine bark!
So anyway, just look at this. Lock eyes with screen, put dick in fist. Then squeeze until it's purple while you wait for them to kiss!
ABCDEFG, HIJKL. ELLENELEMENOPEE, IT’S HOT DOWN HERE IN HELL.
Ami is a good girl and her best friend is a bad one. She's an uncle-stealing piece of shit who controls what Ami's dad's done.
Or does or did-slash-doing, these eyes don't span for miles. Just escalators, elevators, while Ami sprints for MILES -
To FIND that fucking BAD GIRL she's evil evil fuck! I hate her hate her oh my god she really really sucks!
Ami Ami Ami Ami Ami Ami Ami. Ami Ami, Ami Ami, Ami Ami Ami?
The needle goes in to suck out the truth.
M is for Molly
First Appearance: Everything Evil
M is for Molly; Y is for Yarn.
I is for Invisible; and A is for Arms.
S is for Silence; then I once again!
Then a little more silence so we can pretend.
Note: This poem has an acrostic within it. If you take the capitalized letter of each part of it, as well as the "silence" at the end, you get myiasis, which is "...also known as flystrike or fly strike, is the parasitic infestation of the body of a live animal by fly larvae that grow inside the host while feeding on its tissue."[1]
To Build a Wall
First Appearance: Down The Rabbit Hole
To build a wall or break one down;
It depends on what you want.
To see a world outside of mirrors;
Or bathe in holy fonts.
We all have things that we must do;
You, too, must fill your role.
For if you don't, we all will fall;
Further down the rabbit hole.
The Stars Beneath the Sky
First Appearance: Down The Rabbit Hole
A LIE, A LIE, ALIGN!;
THE STARS BENEATH THE SKY!
CHERISH THOSE WHO LOVE THEM AND RELINQUISH YOUR CONTROL!
FEEL HIS GIFTS! RETURN HIS LOVE!
CLIMB FURTHER DOWN THE RABBIT HOLE!
Ice Cream Cones
First Appearance: Yellow Patch (Heaven in My Hands)
Paper doors and lanterns - arms that stretch for miles wide.
Ice cream cones and sunburn - not knowing when to laugh or cry.
Hide and seek and coloring - in books with pages white as snow.
Senseless, violent muttering - not knowing when you shouldn't know.
Watermelons left in light - a yellow patch to prove their worth.
My mommy is a puzzle now - we dumped her pieces in the dirt.
No one has it worse than me - and no one ever understands.
An angel put a curse on me - now there's Heaven in my hands.
A box of better days - a room that's filled with scary things.
A poem for you from me - a lonely girl with broken wings.
Another Place for Gods to Sleep
First Appearance: The Girl Who Leapt Through Time
[Due to the poem flowing after a non-poetic ramble, I have added the ramble before the poem begins.]
"And so Halloween becomes not-Halloween becomes Christmas! And Maya becomes a lesbian! What's next - Sensei kissing Taco Man during Dorm Wars on the beach!?"
or perhaps there lies another place for gods to go to sleep
perhaps they'll all make fun of us. perhaps they'll call us sheep.
for being what we want to be in worlds that don't deserve
girls and boys that look like us, with bells to match our curves.
What would you say if I told you there was nothing?
the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl the girl it's me
Somewhere You're Not
First Appearance: Wake Up (My Story)
Somewhere you're not/somewhere you are
Somewhere it's close/somewhere it's far
The gash in your hands/the one in your leg
It matches my eyes/the same shade of red
So why do you run?/Why do you hide?
If the memories fade/why not keep them inside?
I've always been here/You're never alone
Our love is a house/We can make it a home
A room for your pain/a room for your doubt
A room for your sister/A place to black out
If death is a lake/we'll dive in as one
Our feet touch the sand/Our hearts touch the sun
Remember the smell/Remember the light
Remember to smile/Remember I might
But only if you can/forget everything
If you promise me that/I'll repair these old wings
And we'll fly off together to a place no one can reach us.
THIS IS SUPPOSED TO BE MY STORY
The girl with me who is me who is Ami I am Ami CAN YOU HEAR ME?
Happy Family
First Appearance: Pop Goes the Weasel
I'd kill to see that smiling face
I'd kill to make you mine
Sometimes the story calls for that
Don't worry, I'm fine
I'm happy, driven, full of love
My pussy's wet and tight
But when my slit won't do the trick
The one in her neck might
Note: Comes from the audio happyfamily.mp3
Traditional
These poems lack a certified writer, as they're common pieces of prose within a certain culture.
As I Went Up the Apple Tree
First Appearance: Everything Evil
As I went up the apple tree
All the apples fell on me
Apple pudding, apple pie
Did you ever tell a lie?
Wallace Stevens
The Sense of the Sleight-Of-Hand Man
First Appearance: The End of the Tour (Glasswalker)
One’s grand flights, one’s Sunday baths,
One’s tootings at the weddings of the soul
Occur as they occur. So bluish clouds
Occurred above the empty house and the leaves
Of the rhododendrons rattled their gold,
As if someone lived there. Such floods of white
Came bursting from the clouds. So the wind
Threw its contorted strength around the sky.
Could you have said the bluejay suddenly
Would swoop to earth? It is a wheel, the rays
Around the sun. The wheel survives the myths.
The fire eye in the clouds survives the gods.
To think of a dove with an eye of grenadine
And pines that are cornets, so it occurs,
And a little island full of geese and stars:
It may be the ignorant man, alone,
Has any chance to mate his life with life
That is the sensual, pearly spuse, the life
That is fluent in even the wintriest bronze.
Walt Whitman
Roots and Leaves Themselves Alone
First Appearance: Side Event
Roots and leaves themselves alone are these;
Scents brought to men and women from the wild
woods, and from the pond-side,
Breast-sorrel and pinks of love—fingers that wind
around tighter than vines,
Gushes from the throats of birds, hid in the foliage
of trees, as the sun is risen;
Breezes of land and love—breezes set from living
shores out to you on the living sea—to you,
O sailors!
Frost-mellow'd berries, and Third-month twigs,
offer'd fresh to young persons wandering out
in the fields when the winter breaks up,
Love-buds, put before you and within you, whoever
you are,
Buds to be unfolded on the old terms;
If you bring the warmth of the sun to them, they
will open, and bring form, color, perfume, to
you;
If you become the aliment and the wet, they will
become flowers, fruits, tall branches and trees.
William Blake
A Divine Image
First Appearance: A Tree Falls in the Forest
Cruelty has a Human Heart
And Jealousy a Human Face
Terror the Human Form Divine
And Secrecy, the Human Dress
The Human Dress, is forged Iron
The Human Form, a fiery Forge.
The Human Face, a Furnace seal'd
The Human Heart, its hungry Gorge.
Note: This poem appears in the image treefall3.png
Auguries of Innocence
First Appearance: Outcry of the Hunted Hare
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A Dove house filld with Doves & Pigeons
Shudders Hell thr' all its regions
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd & armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer, wandring here & there
Keeps the Human Soul from Care
The Lamb misusd breeds Public Strife
And yet forgives the Butchers knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has movd
Shall never be by Woman lovd
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers Sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgment draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog & Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers Song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A Truth thats told with bad intent
Beats all the Lies you can invent
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the soul divine
Under every grief & pine
Runs a joy with silken twine
The Babe is more than swadling Bands
Throughout all these Human Lands
Tools were made & Born were hands
Every Farmer Understands
Every Tear from Every Eye
Becomes a Babe in Eternity
This is caught by Females bright
And returnd to its own delight
The Bleat the Bark Bellow & Roar
Are Waves that Beat on Heavens Shore
The Babe that weeps the Rod beneath
Writes Revenge in realms of Death
The Beggars Rags fluttering in Air
Does to Rags the Heavens tear
The Soldier armd with Sword & Gun
Palsied strikes the Summers Sun
The poor Mans Farthing is worth more
Than all the Gold on Africs Shore
One Mite wrung from the Labrers hands
Shall buy & sell the Misers Lands
Or if protected from on high
Does that whole Nation sell & buy
He who mocks the Infants Faith
Shall be mockd in Age & Death
He who shall teach the Child to Doubt
The rotting Grave shall neer get out
He who respects the Infants faith
Triumphs over Hell & Death
The Childs Toys & the Old Mans Reasons
Are the Fruits of the Two seasons
The Questioner who sits so sly
Shall never know how to Reply
He who replies to words of Doubt
Doth put the Light of Knowledge out
The Strongest Poison ever known
Came from Caesars Laurel Crown
Nought can Deform the Human Race
Like to the Armours iron brace
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow
A Riddle or the Crickets Cry
Is to Doubt a fit Reply
The Emmets Inch & Eagles Mile
Make Lame Philosophy to smile
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should Doubt
Theyd immediately Go out
To be in a Passion you Good may Do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn and every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day
Note: Two events take their names directly from this poem: Outcry of the Hunted Hare and Heaven for Human Blood with its missed name A Horse Misused
How sweet I roam'd from field to field
First Appearance: Caterpillar
How sweet I roam'd from field to field,
And tasted all the summer's pride,
'Till I the prince of love beheld,
Who in the sunny beams did glide!
He shew'd me lilies for my hair,
And blushing roses for my brow;
He led me through his gardens fair,
Where all his golden pleasures grow.
With sweet May dews my wings were wet,
And Phoebus fir'd my vocal rage;
He caught me in his silken net,
And shut me in his golden cage.
He loves to sit and hear me sing,
Then, laughing, sports and plays with me;
Then stretches out my golden wing,
And mocks my loss of liberty.
Infant Joy
First Appearance: Before the Sun Comes Up
I have no name
I am but two days old.—
What shall I call thee?
I happy am
Joy is my name,—
Sweet joy befall thee!
Pretty joy!
Sweet joy but two days old,
Sweet joy I call thee;
Thou dost smile.
I sing the while
Sweet joy befall thee.
Note: The second stanza of this poem appears in hex code on Ayane's whiteboard during Before the Sun Comes Up. The first half appears next to the unknown girl with brown hair in Flowerchild
Poison Tree
First Appearance: Glued to the Sky
I was angry with my friend.
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I watered it in fears.
Night and morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles
And it grew both day and night,
Till it bore an apple bright.
And my foe beheld it shine,
And he know that it was mine.
And into my garden stole,
When the night had veiled the pole;
In the morning glad I see;
My foe outstretched beneath the tree.
The Chimney Sweeper
First Appearance: Worry Not, The Mason Jar
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"
So your chimneys I sweep & in soot I sleep.
There's little Tom Dacre, who cried when his head
That curled like a lamb's back, was shaved, so I said,
"Hush, Tom! never mind it, for when your head's bare,
You know that the soot cannot spoil your white hair."
And so he was quiet, & that very night,
As Tom was a-sleeping he had such a sight!
That thousands of sweepers, Dick, Joe, Ned, & Jack,
Were all of them locked up in coffins of black;
And by came an Angel who had a bright key,
And he opened the coffins & set them all free;
Then down a green plain, leaping, laughing they run,
And wash in a river and shine in the Sun.
'
Then naked & white, all their bags left behind,
They rise upon clouds, and sport in the wind.
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father & never want joy.
And so Tom awoke; and we rose in the dark
And got with our bags & our brushes to work.
Though the morning was cold, Tom was happy & warm;
So if all do their duty, they need not fear harm.
The Sick Rose
First Appearance: Invisible Worm
O Rose thou art sick.
The invisible worm,
That flies in the night
In the howling storm:
Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.
The Clod and the Pebble
First Appearance: The Clod and the Pebble
"Love seeketh not itself to please,
Nor for itself hath any care,
But for another gives its ease,
And builds a Heaven in Hell's despair."
So sung a little Clod of Clay
Trodden with the cattle's feet,
But a Pebble of the brook
Warbled out these metres meet:
Love seeketh only self to please,
To bind another to its delight,
Joys in another's loss of ease,
And builds a Hell in Heaven's despite.