Criteria
Requirements
None
To get this event
Autoplay after Pride & Joy
To miss this event
This event is not missable.
Choices
There are no choices in this event.
Effects
- +1 Sara Affection
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** "There were silhouettes with arms as wide as protocol and a leg in a basket helped the words when coming out alive." | ** "There were silhouettes with arms as wide as protocol and a leg in a basket helped the words when coming out alive." | ||
** "Get it out, it's inside of me, get it out, get it out, give this one back." (Repeated 4x) | ** "Get it out, it's inside of me, get it out, get it out, give this one back." (Repeated 4x) | ||
* If the player chose not to pursue a relationship with Sara in either [[Carry Me Home]] or [[A Mostly Empty Home | * If the player chose not to pursue a relationship with Sara in either [[Carry Me Home]] or [[A Mostly Empty Home]], an additional message in hexadecimal is displayed. A translation can be found below: | ||
]], an additional message in hexadecimal is displayed. A translation can be found below: | |||
** "6e 6f 74 68 69 6e 67 20 77 69 6c 6c 20 65 76 65 72 20 6d 61 6b 65 20 73 65 6e 73 65 20 61 67 61 69 6e" - nothing will ever make sense again | ** "6e 6f 74 68 69 6e 67 20 77 69 6c 6c 20 65 76 65 72 20 6d 61 6b 65 20 73 65 6e 73 65 20 61 67 61 69 6e" - nothing will ever make sense again | ||
| internal_name = saraspecial30p1 | | internal_name = saraspecial30p1 |
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"The Creaking of the Seventh Step" is an Event for Sara Sakakibara.
None
Autoplay after Pride & Joy
This event is not missable.
There are no choices in this event.
This Event takes place in the following locations:
Having successfully retrieved the espresso machine, mostly due to Yuki, Sensei reconvenes with Sara as Yuki is sent away to store the machine in the back and clean up the remaining tables. Sara walks over to Sensei as he stands idly by the entrance, inviting him upstairs so they can discuss something in private.
While initially convinced she's dragged him upstairs to discuss his relationship with Yuki, Sara tells him that not everything in her life involves him. She asks for his opinion on movies, as she has used them as an escape from the tragedies of her life for as long as she can remember. In particular, she liked a movie involving a man who, afflicted with memory problems, has to use the notes left by his previous self to piece who he is back together. When life got hard for her, it was easy for her to get wrapped up in her mind or silly things, such as replicating the movie's protagonist. But now, when looking back, she can't quite recall what things were real and which were "forced" into her head; The lack of distinction scares her, but she's gotten so used to it that she's become apathetic, accepting it as part of who she is.
While that's fine for her personally, upon realizing that she might have passed on something to her daughter, she asks Sensei to watch over Sana. Confused and uncomfortable with the implication, he asks why she wants him to do that. She explains that the thing she passed onto Sana is something that she's dealt with before, and imagining her daughter in that same, terrified position is driving her insane with anxiety and paranoia. Sensei tells her that he'll watch over her all he can, but that it's impossible to constantly monitor her daughter. Suddenly becoming desperate, Sara begs Sensei to reconsider, offering him anything and everything she owns if he'll agree to it. She asks Sensei if he's noticed anything off about her already like her claiming to "see things" or recent changes in her behavior. Besides the incident during Christmas, though, nothing comes to mind and Sensei pries about what "seeing things" means.
As Sara tries to explain, Sensei starts to "blackout".
The following background renders are used in this Event:
The following music tracks are used in this Event:
This Event was added in Update .30.0.