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| * First, a teacher appears and gives Sensei a lesson on proper intimacy. | | * First, a teacher appears and gives Sensei a lesson on proper intimacy. |
| * Second, two girls, whose bodies have been contorted and enlarged in strange ways, appear. The tallest asks Sensei a question, one he can't answer, before telling him they're impressed with his progress. They vanish. | | * Second, two girls, whose bodies have been contorted and enlarged in strange ways, appear. The tallest asks Sensei a question, one he can't answer, before telling him they're impressed with his progress. They vanish. |
| * Third, a pair of old TVs, along with various flowers, a bird, and a cup of ramen. Sensei's at first happen with this scenery, as it allows him a break from the barrage of chaos he's been enduring. This relief is short-lived, though, when wires begin to emerge from the ground and wrap themselves around his legs. | | * Third, a pair of old TVs, along with various flowers, a bird, and a cup of ramen. Sensei's at first happy with this scenery, as it allows him a break from the barrage of chaos he's been enduring. This relief is short-lived, though, when wires begin to emerge from the ground and wrap themselves around his legs, attempting to drag him into the dirt. |
| * Fourth, a warped jungle gym appears in front of him. In front of the jungle gym is a young girl, one Sensei paradoxically wants to protect so desperately he begins to struggle against his chair imprisonment. | | * Fourth, a warped jungle gym appears in front of him. In front of the jungle gym is a young girl, one Sensei paradoxically wants to protect so desperately he begins to struggle against his chair imprisonment. |
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| At last, 61 6d 20 69 20 6f 6b 61 79 returns to him. She leaps into his face and begs him to go with her somewhere else. Sensei asks for help freeing himself, but the girl only begs him to try harder himself. Confused by her urgency, he tries to get answers from her, but she suddenly informs him that "it's too late". | | At last, 61 6d 20 69 20 6f 6b 61 79 returns to him. She leaps into his face and begs him to go with her somewhere else. Sensei asks for help freeing himself, but the girl only begs him to try harder himself. Confused by her urgency, he tries to get answers from her, but she suddenly informs him that "it's too late". |
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| One final time, the room changes. The clocks have vanished Sensei is free. He approaches the center of the room and finds an egg atop a pedestal. Saying a prayer, he devours the egg whole. As he steps forward, he finds a door obscured by a curtain. The cloth slowly rises and from behind it steps out a girl with a daisy pin. She tells Sensei to smile - He tries his best to. | | One final time, the room changes. The clocks have vanished, and Sensei is free. He approaches the center of the room and finds an egg atop a pedestal. Saying a prayer, he devours the egg whole. As he steps forward, he finds a door obscured by a curtain. The cloth slowly rises and from behind it steps out a girl with a daisy pin. She tells Sensei to smile - He tries his best to. |
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| Suddenly, Sensei is home. He goes to bed. | | Suddenly, Sensei is home. He goes to bed. |
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| * Near the end of the event, the track "undoitall" plays. Overlaid is a series of text-to-speech messages. A transcript of these can be found below: | | * Near the end of the event, the track "undoitall" plays. Overlaid is a series of text-to-speech messages. A transcript of these can be found below: |
| ** "This a test of the emergency broadcast system. There is no need to panic. Any interrputions you might experience, included but not limited to, visual disturbances, heightened senses of spirituality, or the changing of seasons, can simply be ignored. Everything is fine. Please continue to look up." | | ** "This a test of the emergency broadcast system. There is no need to panic. Any interrputions you might experience, included but not limited to, visual disturbances, heightened senses of spirituality, or the changing of seasons, can simply be ignored. Everything is fine. Please continue to look up." |
| ** "The coarseness of the ground upon which you sit tears microscope holes in the fabric of a young girl's dress. It captivates, like a unobscured horizon, or a beautiful bird you are seeing for the first time; A heron comes to mind. You find yourself pandering the difference light can make and why some things are so much prettier when left unlit. You forget this. Your mind goes somewhere else. You follow it. You end up in front of a well. You look down. But when your eyes make contact with the bottom, you realize that it is you that you are looking down upon." | | ** "The coarseness of the ground upon which you sit tears microscope holes in the fabric of a young girl's dress. It captivates you, like a unobscured horizon, or a beautiful bird you are seeing for the first time; A heron comes to mind. You find yourself pandering the difference light can make and why some things are so much prettier when left unlit. You forget this. Your mind goes somewhere else. You follow it. You end up in front of a well. You look down. But when your eyes make contact with the bottom, you realize that it is you that you are looking down upon." |
| ** "When you blink, you are back at home. Safe and sound. Perhaps it is time to start wearing denim." | | ** "When you blink, you are back at home. Safe and sound. Perhaps it is time to start wearing denim." |
| | internal_name = roomwithtrack | | | internal_name = roomwithtrack |
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| | render_prefix4 = | | | render_prefix4 = |
| | render_prefix5 = | | | render_prefix5 = |
| | music = amiawake.mp3 | | | music = amiasleep.mp3 |
| | music2 = sweetvermouth.mp3 | | | music2 = sweetvermouth.mp3 |
| | music3 = lessons.mp3 | | | music3 = lessons.mp3 |